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این بداند کان که اهل خاطر است ** غایب آفاق او را حاضر است
- Let him (the objector) know that to one who receives ideas (from God) all that is absent in the world is present.
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پیش مریم حاضر آید در نظر ** مادر یحیی که دور است از بصر
- To Mary, the mother of Yahyá would appear present, though she was far from her (bodily) sight.
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دیدهها بسته ببیند دوست را ** چون مشبک کرده باشد پوست را
- One may see a friend (even) with eyes shut, when one has made the skin (the bodily envelope) a lattice (to let in spiritual ideas).
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ور ندیدش نه از برون نز اندرون ** از حکایت گیر معنی ای زبون 3615
- And if she saw her neither from without nor from within, take the (essential) meaning of the story, O imbecile!
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نه چنان کافسانهها بشنیده بود ** همچو شین بر نقش آن چسبیده بود
- Not like him who had heard (some) fables, and like sh stuck to the (literal) shape of them,
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تا همیگفت آن کلیله بیزبان ** چون سخن نوشد ز دمنه بیبیان
- So that he would say, “How should Kalíla, having no language, hear words from Dimna who had no power of expression?
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ور بدانستند لحن همدگر ** فهم آن چون کرد بینطقی بشر
- And (even) if they knew each other's accents, how should man understand it (their talk), (since it was) without any articulation?
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در میان شیر و گاو آن دمنه چون ** شد رسول و خواند بر هر دو فسون
- How did Dimna become a messenger between the lion and the ox, and cajole them both with his palaver?
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چون وزیر شیر شد گاو نبیل ** چون ز عکس ماه ترسان گشت پیل 3620
- How did the noble ox become the vizier of the lion? How was the elephant terrified by the reflection of the moon?
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این کلیله و دمنه جمله افتری است ** ور نه کی با زاغ لکلک را مری است
- This Kalíla and Dimna is entirely fiction, or else how has the stork a quarrel with the crow?”