پس نظرگاه شعاع آن آهن است ** پس نظرگاه خدا دل نی تن است
Therefore the theatre of the (Divine) rays is that iron; therefore the theatre of God is the heart, not the body.
باز این دلهای جزوی چون تن است ** با دل صاحب دلی کاو معدن است
Again, these partial (individual) hearts are as the body in relation to the heart of the man of heart (the perfect saint), which is the original source.
بس مثال و شرح خواهد این کلام ** لیک ترسم تا نلغزد وهم عام840
This argument wants much illustration and exposition, but I fear lest the opinion of the vulgar should stumble (and fall into error),
تا نگردد نیکویی ما بدی ** اینکه گفتم هم نبد جز بیخودی
(And) lest my goodness should be turned (by them) to badness;—even this that I have spoken was (from) naught but selflessness.
پای کج را کفش کج بهتر بود ** مر گدا را دستگه بر در بود
The crooked shoe is better for the crooked foot; the beggar's power reaches only as far as the door.
امتحان پادشاه به آن دو غلام که نو خریده بود
How the King made trial of the two slaves whom he had recently purchased.
پادشاهی دو غلام ارزان خرید ** با یکی ز آن دو سخن گفت و شنید
A King bought two slaves cheap, and conversed with one of the twain.
یافتش زیرک دل و شیرین جواب ** از لب شکر چه زاید شکر آب
He found him quick-witted and answering sweetly: what issues from the sugar-lip? Sugar-water.
آدمی مخفی است در زیر زبان ** این زبان پرده است بر درگاه جان845
Man is concealed underneath his tongue: this tongue is the curtain over the gate of the soul.
چون که بادی پرده را در هم کشید ** سر صحن خانه شد بر ما پدید
When a gust of wind has rolled up the curtain, the secret of the interior of the house is disclosed to us,
کاندر آن خانه گهر یا گندم است ** گنج زر یا جمله مار و کژدم است
(And we see) whether in that house there are pearls or (grains of) wheat, a treasure of gold or whether all is snakes and scorpions;