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کان منافق در اگر گفتن بمرد ** وز اگر گفتن بجز حسرت نبرد
- For the hypocrite died in saying “if,” and from saying “if” he won nothing but remorse.
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مثل
- Parable.
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آن غریبی خانه میجست از شتاب ** دوستی بردش سوی خانهی خراب
- A certain stranger was hastily seeking a house: a friend took him to a house in ruins.
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گفت او این را اگر سقفی بدی ** پهلوی من مر ترا مسکن شدی 740
- He said (to the stranger), “If this (house) had a roof, it would be a home for you beside me.
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هم عیال تو بیاسودی اگر ** در میانه داشتی حجرهی دگر
- Your family too would be comfortable, if it had another room in it.”
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گفت آری پهلوی یاران خوش است ** لیک ای جان در اگر نتوان نشست
- “Yes,” said he, “it is nice (to be) beside friends, but my dear soul, one cannot lodge in ‘if’.”
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این همه عالم طلبکار خوشند ** وز خوش تزویر اندر آتشند
- All the world are seekers of happiness, and on account of a false happiness they are in the fire.
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طالب زر گشته جمله پیر و خام ** لیک قلب از زر نداند چشم عام
- Old and young have become gold-seekers, but the common eye does not distinguish alloy from gold.
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پرتوی بر قلب زد خالص ببین ** بیمحک زر را مکن از ظن گزین 745
- The pure (gold) shot a beam on the alloy: see that you choose not the gold on the ground of (mere) opinion, without a touchstone.
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گر محک داری گزین کن ور نه رو ** نزد دانا خویشتن را کن گرو
- If you have a touchstone, choose; otherwise, go, devote yourself to him that knows (the difference).
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یا محک باید میان جان خویش ** ور ندانی ره مرو تنها تو پیش
- Either you must have a touchstone within your own soul, or if you know not the Way, do not go forward alone.
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بانگ غولان هست بانگ آشنا ** آشنایی که کشد سوی فنا
- The cry of the ghouls is the cry of an acquaintance—an acquaintance who would lure you to perdition.
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بانگ میدارد که هان ای کاروان ** سوی من آیید نک راه و نشان
- She (the ghoul) keeps on crying, “Hark, O caravan people! Come towards me, here is the track and the landmarks.”
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نام هر یک میبرد غول ای فلان ** تا کند آن خواجه را از آفلان 750
- The ghoul mentions the name of each, saying “O so-and-so,” in order that she may make that personage one of those who sink.
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چون رسد آن جا ببیند گرگ و شیر ** عمر ضایع راه دور و روز دیر
- When he reaches the spot, he sees wolves and lions, his life lost, the road far off, and the day late.
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چون بود آن بانگ غول آخر بگو ** مال خواهم جاه خواهم و آبرو
- Prithee say, what is the ghoul's cry like? (It is) “I desire riches, I desire position and renown.”
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از درون خویش این آوازها ** منع کن تا کشف گردد رازها
- Prevent these voices from (entering) your heart, so that (spiritual) mysteries may be revealed.
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ذکر حق کن بانگ غولان را بسوز ** چشم نرگس را از این کرکس بدوز
- Repeat (in prayer) the name of God, drown the cry of the ghouls, close your narcissus eye to this vulture.
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صبح کاذب را ز صادق واشناس ** رنگ می را باز دان از رنگ کاس 755
- Know the difference between the false dawn and the true, distinguish the colour of the wine from the colour of the cup,
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تا بود کز دیدهگان هفت رنگ ** دیدهای پیدا کند صبر و درنگ
- That, perchance, from the eyes which see the seven colours patience and waiting may produce a (spiritual) eye,
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رنگها بینی بجز این رنگها ** گوهران بینی به جای سنگها
- (With which) you may behold colours other than these, and may behold pearls instead of stones.
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گوهر چه بلکه دریایی شوی ** آفتاب چرخ پیمایی شوی
- What pearl? Nay, you will become an ocean, you will become a sun traversing the sky.
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کار کن در کارگه باشد نهان ** تو برو در کارگه بینش عیان
- The Worker is hidden in the workshop: go you and in the workshop see Him plain.
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کار چون بر کار کن پرده تنید ** خارج آن کار نتوانیش دید 760
- Inasmuch as the work has woven a veil over the Worker, you cannot see Him outside of that work.
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کارگه چون جای باش عامل است ** آن که بیرون است از وی غافل است
- Since the workshop is the dwelling-place of the Worker, he that is outside is unaware of Him.
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پس در آ در کارگه یعنی عدم ** تا ببینی صنع و صانع را بهم
- Come, then, into the workshop, that is to say, non-existence, that you may see the work and the Worker together.