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3
543-567

  • خواجه تا شب بر دکانی چار میخ ** زانک سروی در دلش کردست بیخ
  • The merchant (sits), racked, on a bench (in his shop) till nightfall, because (some one tall and slender as) a cypress has taken root in his heart.
  • تاجری دریا و خشکی می‌رود ** آن بمهر خانه‌شینی می‌دود
  • A trader is faring over sea and land: he runs (makes those swift journeys) for live of one who sits at home.
  • هر که را با مرده سودایی بود ** بر امید زنده‌سیمایی بود 545
  • Whoever has a passion for that which is dead, ‘tis in hope of (gaining) one who has the features of the living.
  • آن دروگر روی آورده به چوب ** بر امید خدمت مه‌روی خوب
  • The carpenter turns his face (attention) to wood, in the hope of rendering service to a fair one whose face is like the moon.
  • بر امید زنده‌ای کن اجتهاد ** کو نگردد بعد روزی دو جماد
  • Do thou exert thyself in hope of the Living One who does not become lifeless after a day or two!
  • مونسی مگزین خسی را از خسی ** عاریت باشد درو آن مونسی
  • Do not from meanness choose a mean person as thy friend: that friendship in him is borrowed (unessential).
  • انس تو با مادر و بابا کجاست ** گر بجز حق مونسانت را وفاست
  • If thy friends other than God possess constancy (permanence), where is thy friendship with the mother and father?
  • انس تو با دایه و لالا چه شد ** گر کسی شاید بغیر حق عضد 550
  • If any one but God is worthy to be relied upon, what has become of thy friendship with thy nurse and tutor?
  • انس تو با شیر و با پستان نماند ** نفرت تو از دبیرستان نماند
  • Thy friendship with the milk and the teat did not endure, thy shyness of (going to) school did not endure.
  • آن شعاعی بود بر دیوارشان ** جانب خورشید وا رفت آن نشان
  • That (friendship) was a radiance (cast) upon their wall: that sign (of the Sun) went back towards the Sun.
  • بر هر آن چیزی که افتد آن شعاع ** تو بر آن هم عاشق آیی ای شجاع
  • On whatsoever thing that radiance may fall, thou becomest in love with that (thing), O brave man.
  • عشق تو بر هر چه آن موجود بود ** آن ز وصف حق زر اندود بود
  • On whatsoever existent thing thy love (is bestowed), that (thing) is gilded with Divine qualities.
  • چون زری با اصل رفت و مس بماند ** طبع سیر آمد طلاق او براند 555
  • When the goldenness has gone to its original source and (only) the copper remains, (thy) nature is surfeited and proceeds to divorce (discard) it.
  • از زر اندود صفاتش پا بکش ** از جهالت قلب را کم گوی خوش
  • Withdraw thy foot from that which is gilded by His qualities, do not from ignorance call the base alloy beautiful;
  • کان خوشی در قلبها عاریتست ** زیر زینت مایه‌ی بی زینتست
  • For in base coin the beauty is borrowed: beneath the comeliness is the substance uncomely.
  • زر ز روی قلب در کان می‌رود ** سوی آن کان رو تو هم کان می‌رود
  • The gold is going from the face of the false coin into the mine (whence it came): do thou too go towards the Mine to which it is going.
  • نور از دیوار تا خور می‌رود ** تو بدان خور رو که در خور می‌رود
  • The light is going from the wall up to the sun: do thou go to that Sun which ever goes (moves) in proportion (with eternal right and justice).
  • زین سپس پستان تو آب از آسمان ** چون ندیدی تو وفا در ناودان 560
  • Henceforth take thou the water (that comes) from Heaven, forasmuch as thou hast not found faithfulness in the aqueduct.
  • معدن دنبه نباشد دام گرگ ** کی شناسد معدن آن گرگ سترگ
  • The lure to catch the wolf is (the sheep’s tail; it is) not the place (shop) where the sheep’s tail came from: how should that fierce wolf know the place of provenance?
  • زر گمان بردند بسته در گره ** می‌شتابیدند مغروران به ده
  • They (the Khwaja and his family) imagined (that they would be) gold tied in knots, (so) the deluded (party) were making haste to (reach) the countryside.
  • همچنین خندان و رقصان می‌شدند ** سوی آن دولاب چرخی می‌زدند
  • Thus were they going alone, laughing and dancing and caracoling towards the water-wheel.
  • چون همی‌دیدند مرغی می‌پرید ** جانب ده صبر جامه می‌درید
  • Whenever they saw a bird flying in the direction of the country, (their) patience rent its garments;
  • هر که می‌آمد ز ده از سوی او ** بوسه می‌دادند خوش بر روی او 565
  • (And) they would kiss joyfully the face of any one who came from the country, from his (the countryman’s) neighbourhood,
  • گر تو روی یار ما را دیده‌ای ** پس تو جان را جان و ما را دیده‌ای
  • Saying, “You have seen the face of our friend, therefore to the (beloved) Soul you are (as) the soul, and to us (as) the eye.”
  • نواختن مجنون آن سگ را کی مقیم کوی لیلی بود
  • How Majnún petted the dog that lived in Layla's abode.
  • همچو مجنون کو سگی را می‌نواخت ** بوسه‌اش می‌داد و پیشش می‌گداخت
  • (They behaved) like Majnún, who was (seen) petting a dog and kissing it and melting (with fondness) before it: