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  • گر منافق زفت باشد نغز و هول ** وا شناسی مر ورا در لحن و قول
  • Though the hypocrite be big, handsome, and terrible, thou wilt recognise him in his perverse enunciation and speech.”

  • چون سفالین کوزه‌ها را می‌خری ** امتحانی می‌کنی ای مشتری
  • When you are buying earthenware pots, you make a trial, O purchaser.

  • می‌زنی دستی بر آن کوزه چرا ** تا شناسی از طنین اشکسته را
  • You give the pot a tap with your hand: why? In order that you may know the cracked one by the sound (which it makes).

  • بانگ اشکسته دگرگون می‌بود ** بانگ چاووشست پیشش می‌رود
  • The voice of the cracked one is different; the voice is a cháwúsh (beadle): it goes in front of it (the pot).

  • بانگ می‌آید که تعریفش کند ** همچو مصدر فعل تصریفش کند 795
  • The voice comes in order to make it known: it determines (the character of) it, as the verb (determines the form of) the masdar (verbal noun).

  • چون حدیث امتحان رویی نمود ** یادم آمد قصه‌ی هاروت زود
  • When the subject of (Divine) probation cropped up, the story of Hárút at once came into my memory.

  • قصه‌ی هاروت و ماروت و دلیری ایشان بر امتحانات حق تعالی
  • The Story of Hárút and Márút and their boldness in encountering the probations of God most High.

  • پیش ازین زان گفته بودیم اندکی ** خود چه گوییم از هزارانش یکی
  • Before this (occasion), we had told a little of it: what, indeed, should we tell? (We can tell only) one (item) of its thousands.

  • خواستم گفتن در آن تحقیقها ** تا کنون وا ماند از تعویقها
  • I wished to speak of the (spiritual) truths (contained) in it, (but) till now they have remained (untold) on account of hindrances.

  • حمله‌ی دیگر ز بسیارش قلیل ** گفته آید شرح یک عضوی ز پیل
  • (Now) once again a little of its much shall be told—the description (as it were) of a single limb of the elephant.

  • گوش کن هاروت را ماروت را ** ای غلام و چاکران ما روت را 800
  • Listen to (the tale of) Hárút and Márút, O thou to whose face we are (devoted) slaves and servants.

  • مست بودند از تماشای اله ** وز عجایبهای استدراج شاه
  • They (Hárút and Márút) were intoxicated with the spectacle of God and with the marvels of the King's gradual temptation (of them).

  • این چنین مستیست ز استدراج حق ** تا چه مستیها کند معراج حق
  • Such intoxication arises (even) from God's gradual temptation, so that (you may judge) what intoxications are wrought by the ascension to God.

  • دانه‌ی دامش چنین مستی نمود ** خوان انعامش چه‌ها داند گشود
  • The bait in His snare produced intoxication like this: what things, (then), can the table of His bounty reveal!

  • مست بودند و رهیده از کمند ** های هوی عاشقانه می‌زدند
  • They were drunken and freed from the noose: they were uttering rapturous cries in the fashion of lovers;

  • یک کمین و امتحان در راه بود ** صرصرش چون کاه که را می‌ربود 805
  • (But) in their road there was one ambush and trial: its mighty wind would sweep the mountain away like straw.

  • امتحان می‌کردشان زیر و زبر ** کی بود سرمست را زینها خبر
  • The (Divine) trial was turning them upside down, (but) how should one that is drunken have consciousness of these things?

  • خندق و میدان بپیش او یکیست ** چاه و خندق پیش او خوش مسلکیست
  • To him pit and open field are one, to him dungeon and pit are a pleasant path to tread.

  • آن بز کوهی بر آن کوه بلند ** بر دود از بهر خوردی بی‌گزند
  • The mountain-goat runs up that high mountain for the sake of (getting) some harmless food.

  • تا علف چیند ببیند ناگهان ** بازیی دیگر ز حکم آسمان
  • Whilst he browses, suddenly he sees another trick played by the ordinance of Heaven.

  • بر کهی دیگر بر اندازد نظر ** ماده بز بیند بر آن کوه دگر 810
  • He casts his gaze upon another mountain: on that other mountain he espies a she-goat.

  • چشم او تاریک گردد در زمان ** بر جهد سرمست زین که تا بدان
  • Straightway his eye is darkened: he leaps madly from this mountain to that.

  • آنچنان نزدیک بنماید ورا ** که دویدن گرد بالوعه‌ی سرا
  • To him it seems as near (and easy) as to run round the sink (in the court) of a house.

  • آن هزاران گز دو گز بنمایدش ** تا ز مستی میل جستن آیدش
  • Those thousands of ells (are made to) appear to him (as) two ells, in order that from mad infatuation the impulse to leap may come to him.

  • چونک بجهد در فتد اندر میان ** در میان هر دو کوه بی امان
  • As soon as he leaps, he falls midway between the two pitiless mountains.

  • او ز صیادان به که بگریخته ** خود پناهش خون او را ریخته 815
  • He had fled to the mountain (to escape) from the hunters: his very refuge shed his blood.