هر دلی که اندر غم شه می‌بود ** دم به دم او را سر مه می‌بود 1890
Every heart that is in love with the King, for it (for that heart) ’tis always the beginning of the month.
قصه‌ی محمود و اوصاف ایاز ** چون شدم دیوانه رفت اکنون ز ساز
Since I have become mad, the story of Mahmúd and the description of Ayáz are now out of order.
بیان آنک آنچ بیان کرده می‌شود صورت قصه است وانگه آن صورتیست کی در خورد این صورت گیرانست و درخورد آینه‌ی تصویر ایشان و از قدوسیتی کی حقیقت این قصه راست نطق را ازین تنزیل شرم می‌آید و از خجالت سر و ریش و قلم گم می‌کند و العاقل یکفیه الاشاره
Explaining that what is related (here) is (only) the outward form of the Story, and that it is a form befitting these (hearers) who apprehend (no more than) the external form and suitable to the mirror of their imagination, whereas the real essence of the Story is so transcendent that speech is ashamed to reveal it, and from (being overcome with) confusion (the writer) loses head, beard, and pen. And a hint is enough for the wise.
زانک پیلم دید هندستان به خواب ** از خراج اومید بر ده شد خراب
Forasmuch as my elephant has dreamed of Hindustán, abandon hope of (receiving) the tax: the village is ruined.
کیف یاتی النظم لی والقافیه ** بعد ما ضاعت اصول العافیه
How should poesy and rhyme come to me after the foundations of sanity are destroyed?
ما جنون واحد لی فی الشجون ** بل جنون فی جنون فی جنون
’Tis not (merely) one madness I have amidst the sorrows of love; nay, but madness on madness on madness.
ذاب جسمی من اشارات الکنی ** منذ عاینت البقاء فی الفنا 1895
My body is wasted away by secret indications of the mysteries, ever since I beheld eternal life (baqá) in dying to self (faná).
ای ایاز از عشق تو گشتم چو موی ** ماندم از قصه تو قصه‌ی من بگوی
O Ayáz, from love of thee I have become (thin) as a hair: I am unable to tell (thy) story, do thou tell my story.
بس فسانه‌ی عشق تو خواندم به جان ** تو مرا که افسانه گشتستم بخوان
Many a tale of thy love have I recited with (all) my soul: (now) that I have become (unsubstantial as) a tale, do thou recite mine.
خود تو می‌خوانی نه من ای مقتدی ** من که طورم تو موسی وین صدا
Verily thou art reciting, O model (for all), not I: I am Mount Sinai, thou art Moses, and this (discourse) is the echo.
کوه بیچاره چه داند گفت چیست ** زانک موسی می‌بداند که تهیست
How should the helpless mountain know what the words are? The mountain is empty of that (meaning) which Moses knows.
کوه می‌داند به قدر خویشتن ** اندکی دارد ز لطف روح تن 1900
The mountain knows (only) according to its own measure: the body hath (only) a little of the grace of the spirit.
تن چو اصطرلاب باشد ز احتساب ** آیتی از روح هم‌چون آفتاب
The body is like the astrolabe in respect of (the use of the latter in) calculation (of altitudes): it is a sign (for seekers) of the sun-like spirit.
آن منجم چون نباشد چشم‌تیز ** شرط باشد مرد اصطرلاب‌ریز
When the astronomer is not keen-sighted, an astrolabe-moulder is required,
تا صطرلابی کند از بهر او ** تا برد از حالت خورشید بو
To make an astrolabe for him in order that he may gain some knowledge concerning the state of the sun.
جان کز اصطرلاب جوید او صواب ** چه قدر داند ز چرخ و آفتاب
The soul that seeks (to learn) the truth from the (bodily) astrolabe—how much should it know of the (spiritual) sky and sun?
تو که ز اصطرب دیده بنگری ** درجهان دیدن یقین بس قاصری 1905
You who observe (them) with the astrolabe of the eye are certainly very far short (of perfection) in your view of the (spiritual) world.
تو جهان را قدر دیده دیده‌ای ** کو جهان سبلت چرا مالیده‌ای
You have seen the (spiritual) world according to the measure of your eye, (and) where is the (spiritual) world (in relation to that)? Why, (then), have you twisted your moustache (so boastfully)?
عارفان را سرمه‌ای هست آن بجوی ** تا که دریا گردد این چشم چو جوی
The gnostics (mystics) possess a collyrium: seek it, in order that this eye which (now) resembles a river may become an ocean.
ذره‌ای از عقل و هوش ار با منست ** این چه سودا و پریشان گفتنست
If a single mote of reason and consciousness is (remaining) with me, what is this melancholy madness and distracted speech?
چونک مغز من ز عقل و هش تهیست ** پس گناه من درین تخلیط چیست
Since my brain is empty of reason and consciousness, how then am I at fault in this raving?
نه گناه اوراست که عقلم ببرد ** عقل جمله‌ی عاقلان پیشش بمرد 1910
No; the fault is his, for he robbed me of my reason: in his presence the reason of all rational beings is dead.
یا مجیر العقل فتان الحجی ** ما سواک للعقول مرتجی
O thou who causest the reason to wander and the understanding to go astray, intelligences have no object of hope but thee.
ما اشتهیت العقل مذ جننتنی ** ما حسدت الحسن مذ زینتنی
I have never desired reason since thou mad’st me mad: I have never envied beauty since thou didst adorn me.
هل جنونی فی هواک مستطاب ** قل بلی والله یجزیک الثواب
Is my madness for love of thee approved? Say “Yes,” and God will reward thee.
گر بتازی گوید او ور پارسی ** گوش و هوشی کو که در فهمش رسی
Whether he speak Arabic or Persian, where is the ear and mind by means of which you should attain to the apprehension of it?
باده‌ی او درخور هر هوش نیست ** حلقه‌ی او سخره‌ی هر گوش نیست 1915
His wine is not suitable to every mind, his ring is not subject to every ear.
باز دیگر آمدم دیوانه‌وار ** رو رو ای جان زود زنجیری بیار
Once again I have become mad-like: go, go, my (dear) soul, quickly fetch a chain;
غیر آن زنجیر زلف دلبرم ** گر دو صد زنجیر آری بردرم
(But if you bring any) except the chain of my beloved's curl— though you bring two hundred chains, I will burst them (all).
حکمت نظر کردن در چارق و پوستین کی فلینظر الانسان مم خلق
The wise purpose (of Ayáz) in looking at his rustic shoon and sheepskin jacket—then let Man consider from what he was created.
بازگردان قصه‌ی عشق ایاز ** که آن یکی گنجیست مالامال راز
Bring back (to my mind) the story of Ayáz's love; for ’tis a treasure full of mystery.
می‌رود هر روز در حجره‌ی برین ** تا ببیند چارقی با پوستین
Every day he is going into the uppermost chamber to see his rustic shoon and sheepskin jacket,
زانک هستی سخت مستی آورد ** عقل از سر شرم از دل می‌برد 1920
Because (self-)existence produces grievous intoxication: it removes intelligence from the head and reverence from the heart.
صد هزاران قرن پیشین را همین ** مستی هستی بزد ره زین کمین
From this ambush this same intoxication of (self-)existence waylaid a hundred thousand generations of old.
شد عزرائیلی ازین مستی بلیس ** که چرا آدم شود بر من رئیس
By this (self-)existence an ‘Azázíl was made to be Iblís, saying, “Why should Adam become lord over me?
خواجه‌ام من نیز و خواجه‌زاده‌ام ** صد هنر را قابل و آماده‌ام
I too am noble and nobly-born: I am capable of receiving and ready for (receiving) a hundred excellences.
در هنر من از کسی کم نیستم ** تا به خدمت پیش دشمن بیستم
In excellence I am inferior to none, that I should stand before my enemy to do him service.
من ز آتش زاده‌ام او از وحل ** پیش آتش مر وحل را چه محل 1925
I am born of fire, he of mud: what is the position (rank) of mud compared with fire?
او کجا بود اندر آن دوری که من ** صدر عالم بودم و فخر زمن
Where was he in the period when I was the Prince of the World and the glory of Time?”
خلق الجان من مارج من نار و قوله تعالی فی حق ابلیس انه کان من الجن ففسق
(On the words of God) “He created the Jinn from smokeless fire,” and His words concerning Iblís: “verily he was one of the Jinn, and he transgressed.”
شعله می‌زد آتش جان سفیه ** که آتشی بود الولد سر ابیه
The fire (of pride and jealousy) was flaming in the soul of the fool (Iblís), because he was (born) of fire: the son is (endued with) the inward nature of his father.
نه غلط گفتم که بد قهر خدا ** علتی را پیش آوردن چرا
No; I have spoken in error; ’twas the compelling might of God: why, (then), adduce any cause (for it)?
کار بی‌علت مبرا از علل ** مستمر و مستقرست از ازل
The causeless action (of God) is quit of (all) causes: it is lasting (without change) and firmly stablished from eternity.
در کمال صنع پاک مستحث ** علت حادث چه گنجد یا حدث 1930
In the perfection of the holy work sped on (by Him) what room is there for (any) temporal cause or temporal thing?
سر آب چه بود آب ما صنع اوست ** صنع مغزست و آب صورت چو پوست
What is (the real meaning of) “the inward nature of (his) father”? His (God's) work (creative energy) is our father: (His) work is the kernel, and the formal (physical) father is the skin (shell).
عشق دان ای فندق تن دوستت ** جانت جوید مغز و کوبد پوستت
O nut-like body, know that Love is thy friend: thy soul (inspired by Love) will seek thy kernel and batter thy shell (to pieces).
دوزخی که پوست باشد دوستش ** داد بدلنا جلودا پوستش
The man doomed to Hell whose skin is his friend—(God who hath said) “We will give them (other) skins in exchange” bestows a (new) skin upon him.
معنی و مغزت بر آتش حاکمست ** لیک آتش را قشورت هیزمست
Thy spiritual principle and kernel is dominant over the Fire, but thy skins (sensual faculties) are fuel for the Fire.
کوزه‌ی چوبین که در وی آب جوست ** قدرت آتش همه بر ظرف اوست 1935
(In the case of) a wooden pot in which river-water is (contained), the power of fire is entirely (directed) against the vessel containing it.
معنی انسان بر آتش مالکست ** مالک دوزخ درو کی هالکست
Man's spiritual principle is a ruler over the Fire: when is Málik (the Ruler) of Hell destroyed therein?
پس میفزا تو بدن معنی فزا ** تا چو مالک باشی آتش را کیا
Do not, then, increase (pamper) thy body; increase (cherish and cultivate) thy spiritual principle, in order that thou mayst be the Fire's sovereign, like Málik.
پوستها بر پوست می‌افزوده‌ای ** لاجرم چون پوست اندر دوده‌ای
Thou hast ever been adding skins to thy skin: necessarily thou art (black) as a skin (enveloped) in (layers of) soot.
زانک آتش را علف جز پوست نیست ** قهر حق آن کبر را پوستین کنیست
Since the Fire hath no fodder (fuel) except the skin, the vengeance of God will tear the skin off that pride (of thine).