English    Türkçe    فارسی   

6
102-151

  • پند ما در تو نگیرد ای فلان  ** پند تو در ما نگیرد هم بدان 
  • (If) our advice takes no hold of thee, O great man, know that neither does thy advice take any hold of us.
  • جز مگر مفتاح خاص آید ز دوست  ** که مقالید السموات آن اوست 
  • (Thy ears are closed) unless, perchance, the special (sovereign) key (to open them) come from the Friend to whom belong the keys of the heavens.”
  • این سخن هم‌چون ستاره‌ست و قمر  ** لیک بی‌فرمان حق ندهد اثر 
  • This discourse is like the stars and the moon (in splendour), but without the command of God it makes no impression.
  • این ستاره‌ی بی‌جهت تاثیر او  ** می‌زند بر گوشهای وحی‌جو  105
  • The impression made by this star (which is) beyond locality strikes (only) on ears that seek inspiration,
  • کی بیایید از جهت تا بی‌جهات  ** تا ندراند شما را گرگ مات 
  • Saying, “Come ye from (the world of) locality to the world without spatial relations, in order that the wolf may not tear you to pieces in checkmate (utter discomfiture).”
  • آنچنان که لمعه‌ی درپاش اوست  ** شمس دنیا در صفت خفاش اوست 
  • Since its pearl-scattering radiance is such (as has been mentioned), the sun of the present world may be described as its bat.
  • هفت چرخ ازرقی در رق اوست  ** پیک ماه اندر تب و در دق اوست 
  • The seven blue (celestial) spheres are in servitude to it; the courier moon is fevered and wasted away by it.
  • زهره چنگ مسله در وی زده  ** مشتری با نقد جان پیش آمده 
  • Venus lays her hand upon it to beseech (its favour); Jupiter comes forward to offer to it the ready money of his soul.
  • در هوای دستبوس او زحل  ** لیک خود را می‌نبیند از محل  110
  • Saturn is eager to kiss its hand, but he does not regard himself as worthy of that honour.
  • دست و پا مریخ چندین خست ازو  ** وآن عطارد صد قلم بشکست ازو 
  • On account of it, Mars has inflicted so many wounds on his hands and feet; and on account of it Mercury has broken a hundred pens.
  • با منجم این همه انجم به جنگ  ** کای رها کرده تو جان بگزیده رنگ 
  • All these stars (planets) are at war with the astronomer, saying, “O thou who hast let the spirit go and hast preferred colour (vanity),
  • جان ویست و ما همه رنگ و رقوم  ** کوکب هر فکر او جان نجوم 
  • It is the spirit, and we all are (mere) colour and designs: the star (spark) of every thought in it is the soul of the (material) stars.”
  • فکر کو آنجا همه نورست پاک  ** بهر تست این لفظ فکر ای فکرناک 
  • Where is thought (in relation to it)? There all is pure light: this word “thought” is (used only) for thy sake, O thinker.
  • هر ستاره خانه دارد در علا  ** هیچ خانه در نگنجد نجم ما  115
  • Every (material) star hath its house on high: our star is not contained in any house.
  • جای سوز اندر مکان کی در رود  ** نور نامحدود را حد کی بود 
  • How should that which burns (transcends) place (spatial relations) enter into space? How should there be a limit for the illimitable light?
  • لیک تمثیلی و تصویری کنند  ** تا که در یابد ضعیفی عشقمند 
  • But they (the mystics) use a comparison and illustration, in order that a loving feeble-minded man may apprehend (the truth).
  • مثل نبود لیک باشد آن مثال  ** تا کند عقل مجمد را گسیل 
  • ’Tis not a simile, but ’tis a parable for the purpose of releasing (melting) the frozen intellect.
  • عقل سر تیزست لیکن پای سست  ** زانک دل ویران شدست و تن درست 
  • The intellect is strong in the head but weak in the legs, because it is sick of heart (spiritually decayed) though sound of body (materially flourishing).
  • عقلشان در نقل دنیا پیچ پیچ  ** فکرشان در ترک شهوت هیچ هیچ  120
  • Their (the unspiritual men's) intellect is deeply involved in the dessert (pleasures) of this world: never, never do they think of abandoning sensuality.
  • صدرشان در وقت دعوی هم‌چو شرق  ** صبرشان در وقت تقوی هم‌چو برق 
  • In the hour of pretension their breasts are (glowing) like the orient sun, (but) in the hour of pious devotion their endurance is (brief) as the lightning.
  • عالمی اندر هنرها خودنما  ** هم‌چو عالم بی‌وفا وقت وفا 
  • A learned man who shows self-conceit in (displaying) his talents is faithless as the world at the time for keeping faith.
  • وقت خودبینی نگنجد در جهان  ** در گلو و معده گم گشته چو نان 
  • At the time when he regards himself (with pride) he is not contained in the world: he has become lost in the gullet and belly, like bread.
  • این همه اوصافشان نیکو شود  ** بد نماند چونک نیکوجو شود 
  • (Yet) all these (evil) qualities of theirs may become good: evil does not remain when it turns to seeking good.
  • گر منی گنده بود هم‌چون منی  ** چون به جان پیوست یابد روشنی  125
  • If egoism is foul-smelling like semen, (yet) when it attains unto the spirit (spirituality) it gains light.
  • هر جمادی که کند رو در نبات  ** از درخت بخت او روید حیات 
  • Every mineral that sets its face towards (aspires to evolve into) the plant (the vegetative state)—life grows from the tree of its fortune.
  • هر نباتی کان به جان رو آورد  ** خضروار از چشمه‌ی حیوان خورد 
  • Every plant that turns its face towards the (animal) spirit drinks, like Khizr, from the Fountain of Life.
  • باز جان چون رو سوی جانان نهد  ** رخت را در عمر بی‌پایان نهد 
  • Once more, when the (animal) spirit sets its face towards the (Divine) Beloved, it lays down its baggage (and passes) into the life without end.
  • سال سایل از مرغی کی بر سر ربض شهری نشسته باشد سر او فاضل‌ترست و عزیزتر و شریف‌تر و مکرم‌تر یا دم او و جواب دادن واعظ سایل را به قدر فهم او 
  • How an inquirer asked (a preacher) about a bird that was supposed to have settled on the wall of a city—“Is its head more excellent and estimable and noble and honourable or its tail?”—and how the preacher gave him a reply suited to the measure of his understanding.
  • واعظی را گفت روزی سایلی  ** کای تو منبر را سنی‌تر قایلی 
  • One day an inquirer said to a preacher, “O thou who art the pulpit's most eminent expounder,
  • یک سالستم بگو ای ذو لباب  ** اندرین مجلس سالم را جواب  130
  • I have a question to ask. Answer my question in this assembly-place, O possessor of the marrow (of wisdom).
  • بر سر بارو یکی مرغی نشست  ** از سر و از دم کدامینش بهست 
  • A bird has settled on the city-wall: which is better—its head or its tail?”
  • گفت اگر رویش به شهر و دم به ده  ** روی او از دم او می‌دان که به 
  • He replied, “If its face is to the town and its tail to the country, know that its face is better than its tail;
  • ور سوی شهرست دم رویش به ده  ** خاک آن دم باش و از رویش بجه 
  • But if its tail is towards the town and its face to the country, be the dust on that tail and spring away from its face.”
  • مرغ با پر می‌پرد تا آشیان  ** پر مردم همتست ای مردمان 
  • A bird flies to its nest by means of wings: the wings of Man are aspiration, O people.
  • عاشقی که آلوده شد در خیر و شر  ** خیر و شر منگر تو در همت نگر  135
  • (In the case of) the lover who is soiled with good and evil, do not regard the good and evil; (only) regard the aspiration.
  • باز اگر باشد سپید و بی‌نظیر  ** چونک صیدش موش باشد شد حقیر 
  • If a falcon be white and beyond compare, (yet) it becomes despicable when it hunts a mouse;
  • ور بود چغدی و میل او به شاه  ** او سر بازست منگر در کلاه 
  • And if there be an owl that has desire for the king, it is (noble as) the falcon's head: do not regard the hood.
  • آدمی بر قد یک طشت خمیر  ** بر فزود از آسمان و از اثیر 
  • Man, no bigger than a kneading-trough (scooped in a log), has surpassed (in glory) the heavens and the aether (the empyrean).
  • هیچ کرمنا شنید این آسمان  ** که شنید این آدمی پر غمان 
  • Did this heaven ever hear (the words) We have honoured which this sorrowful Man heard (from God)?
  • بر زمین و چرخ عرضه کرد کس  ** خوبی و عقل و عبارات و هوس  140
  • Did any one offer to earth and sky (his) beauty and reason and eloquence and fond affection?
  • جلوه کردی هیچ تو بر آسمان  ** خوبی روی و اصابت در گمان 
  • Didst thou ever display to heaven thy beauty of countenance and thy sureness of judgement in (matters of) opinion?
  • پیش صورتهای حمام ای ولد  ** عرضه کردی هیچ سیم‌اندام خود 
  • Didst thou ever, O son, offer thy silvery limbs to the pictured forms in the bath-house?
  • بگذری زان نقشهای هم‌چو حور  ** جلوه آری با عجوز نیم‌کور 
  • (No); thou leavest those houri-like figures and displayest thyself to a half-blind old woman.
  • در عجوزه چیست که ایشان را نبود  ** که ترا زان نقشها با خود ربود 
  • What is there in the old woman that was not in them, so that she rapt thee away from those figures (and attracted thee) to herself?
  • تو نگویی من بگویم در بیان  ** عقل و حس و درک و تدبیرست و جان  145
  • (If) thou wilt not say (what it is), I will tell (thee) plainly: ’tis reason and sense and perception and consideration and soul.
  • در عجوزه جان آمیزش‌کنیست  ** صورت گرمابه‌ها را روح نیست 
  • In the old woman there is a soul that mingles (with the body): the pictured forms in the hot-baths have no (rational) spirit.
  • صورت گرمابه گر جنبش کند  ** در زمان او از عجوزه بر کند 
  • If the pictured form in the hot-bath should move, it would at once separate thee from the old woman.
  • جان چه باشد با خبر از خیر و شر  ** شاد با احسان و گریان از ضرر 
  • What is soul? (Soul is) conscious of good and evil, rejoicing on account of kindness, weeping on account of injury.
  • چون سر و ماهیت جان مخبرست  ** هر که او آگاه‌تر با جان‌ترست 
  • Since consciousness is the inmost nature and essence of the soul, the more aware one is the more spiritual is he.
  • روح را تاثیر آگاهی بود  ** هر که را این بیش اللهی بود  150
  • Awareness is the effect of the spirit: any one who has this in excess is a man of God.
  • چون خبرها هست بیرون زین نهاد  ** باشد این جانها در آن میدان جماد 
  • Since there are consciousnesses beyond this (bodily) nature, in that (spiritual) arena these (sensual) souls are (like) inanimate matter.