Whosoever has a good disposition is saved; whosoever is of frail heart is broken.
هر که را خوی نکو باشد برست ** هر کسی کاو شیشه دل باشد شکست
That saint, then, is the living Imám who arises (in every age), whether he be a descendant of ‘Umar or of ‘Alí.
پس امام حی قایم آن ولی است ** خواه از نسل عمر خواه از علی است
He is the Mahdí (the God-guided one) and the Hádí (the Guide), O seeker of the (right) way: he is both hidden (from you) and seated before your face.
مهدی و هادی وی است ای راه جو ** هم نهان و هم نشسته پیش رو
He is as the Light (of Mohammed), and (Universal) Reason is his Gabriel; the saint that is lesser than he is his lamp (and receives illumination from him).
او چو نور است و خرد جبریل اوست ** و آن ولی کم از او قندیل اوست
That (saint) who is lesser than this lamp is our lamp-niche: the Light has gradations in degree,820
و انکه زین قندیل کم مشکات ماست ** نور را در مرتبه ترتیبهاست
Because the Light of God has seven hundred veils: regard the veils of the Light as so many tiers.
ز انکه هفصد پرده دارد نور حق ** پردههای نور دان چندین طبق
Behind each veil a certain class (of saints) has its place of abode: these veils of theirs are (in ascending order), rank by rank, up to the Imám.
از پس هر پرده قومی را مقام ** صف صفاند این پردههاشان تا امام
Those in the last (lowest) rank, through their weakness, (are such that) their eyes cannot endure the light in front (of them);
اهل صف آخرین از ضعف خویش ** چشمشان طاقت ندارد نور بیش
And that front rank, from weakness of sight, cannot support the light that is more advanced.
و آن صف پیش از ضعیفی بصر ** تاب نارد روشنایی بیشتر
The light that is the life of the first (highest rank) is heartache and tribulation to this squinter;825
روشنیی کاو حیات اول است ** رنج جان و فتنهی این احول است
(But) the squintnesses, little by little, grow less, and when he passes beyond the seven hundred (veils), he becomes the Sea.
احولیها اندک اندک کم شود ** چون ز هفصد بگذرد او یم شود
The fire that does good to iron or gold—how is it good for fresh quinces and apples?
آتشی کاصلاح آهن یا زر است ** کی صلاح آبی و سیب تر است
The apple and quince have (only) a slight crudity: unlike iron, they want a gentle heat;
سیب و آبی خامیی دارد خفیف ** نه چو آهن تابشی خواهد لطیف
But those flames are (too) gentle for the iron, for it is (eagerly) drawing to (itself) the heat of that (fiery) dragon.
لیک آهن را لطیف آن شعلههاست ** کاو جذوب تابش آن اژدهاست
That iron is the dervish who bears hardship (self-mortification): under the hammer and the fire he is red and happy.830
هست آن آهن فقیر سخت کش ** زیر پتک و آتش است او سرخ و خوش
He is the chamberlain of the fire (and) in immediate touch (with it): he goes into the heart of the fire without (any) link (between the fire and him).
حاجب آتش بود بیواسطه ** در دل آتش رود بیرابطه
Without some screen, water and water's children get no cooking or conversation from the fire.
بیحجاب آب و فرزندان آب ** پختگی ز آتش نیابند و خطاب
The medium is a pot or a pan—as (the medium) for the foot in walking (is) a sock (shoe)—
واسطه دیگی بود یا تابهای ** همچو پا را در روش پا تابهای
Or a space between, so that the air becomes burning hot and brings (the fire) to the water.
یا مکانی در میان تا آن هوا ** میشود سوزان و میآرد بما
The dervish, then, is he that has no intermediary: the flames have (direct) connexion with his being.835
پس فقیر آن است کاو بیواسطه ست ** شعلهها را با وجودش رابطه ست
Therefore he is the heart of the world, because by means of this heart the body attains to (its proper) art (function).
پس دل عالم وی است ایرا که تن ** میرسد از واسطهی این دل به فن
(If) the heart be not there, how can the body talk and speak? (If) the heart seek not, how can the body seek and search?
دل نباشد، تن چه داند گفتوگو ** دل نجوید، تن چه داند جستجو
Therefore the theatre of the (Divine) rays is that iron; therefore the theatre of God is the heart, not the body.
پس نظرگاه شعاع آن آهن است ** پس نظرگاه خدا دل نی تن است
Again, these partial (individual) hearts are as the body in relation to the heart of the man of heart (the perfect saint), which is the original source.
باز این دلهای جزوی چون تن است ** با دل صاحب دلی کاو معدن است
This argument wants much illustration and exposition, but I fear lest the opinion of the vulgar should stumble (and fall into error),840
بس مثال و شرح خواهد این کلام ** لیک ترسم تا نلغزد وهم عام