The other ant said, “That artist is the finger, and this pen is actually (no more than) the derivative (instrument) and the sign.”
گفت آن مور اصبعست آن پیشهور ** وین قلم در فعل فرعست و اثر
A third ant said, “It is the work of the arm, by whose strength the slender finger depicted it.”
گفت آن مور سوم کز بازوست ** که اصبع لاغر ز زورش نقش بست
In this fashion it (the argument) was carried upward till a chief of the ants, (who) was a little bit sagacious,3725
همچنین میرفت بالا تا یکی ** مهتر موران فطن بود اندکی
Said, “Do not regard this accomplishment as proceeding from the (material) form, which becomes unconscious in sleep and death.
گفت کز صورت مبینید این هنر ** که به خواب و مرگ گردد بیخبر
Form is like a garment or a staff: (bodily) figures do not move except by means of intellect and spirit.”
صورت آمد چون لباس و چون عصا ** جز به عقل و جان نجنبد نقشها
He (the wise ant) was unaware that without the controlling influence of God that intellect and heart (mind) would be inert.
بیخبر بود او که آن عقل و فاد ** بی ز تقلیب خدا باشد جماد
If He withdraw His favour from it for a single moment, the acute intellect will commit (many) follies.
یک زمان از وی عنایت بر کند ** عقل زیرک ابلهیها میکند
When Dhu ’l-Qarnayn found it (Mount Qáf) speaking, he said, after Mount Qáf had bored the pearls of speech,3730
چونش گویا یافت ذوالقرنین گفت ** چونک کوه قاف در نطق سفت
“O eloquent one, who art wise and knowest the mystery, expound to me the Attributes of God.”
کای سخنگوی خبیر رازدان ** از صفات حق بکن با من بیان
It answered, “Go, for those qualities are too terrible for (oral) exposition to put its hand on them,
گفت رو کان وصف از آن هایلترست ** که بیان بر وی تواند برد دست
Or for the pen to dare inscribe with its point information concerning them on the pages (of books).”
یا قلم را زهره باشد که به سر ** بر نویسد بر صحایف زان خبر
He said, “Relate a lesser tale concerning the wonders of God, O goodly divine.”
گفت کمتر داستانی باز گو ** از عجبهای حق ای حبر نکو
It said, “Look, the King (God) hath made a plain full of snow-mountains, for the distance of a three hundred years' journey—3735
گفت اینک دشت سیصدساله راه ** کوههای برف پر کردست شاه
Mountain on mountain, beyond count and number: the snow comes continually to replenish them.
کوه بر که بیشمار و بیعدد ** میرسد در هر زمان برفش مدد
One snow-mountain is being piled on another: the snow brings coldness to the earth.
کوه برفی میزند بر دیگری ** میرساند برف سردی تا ثری
At every moment snow-mountain is being piled on snow-mountain from the illimitable and vast storehouse.
کوه برفی میزند بر کوه برف ** دم به دم ز انبار بیحد و شگرف
O king, if there were not a valley (of snow) like this, the glowing heat of Hell would annihilate me.”
گر نبودی این چنین وادی شها ** تف دوزخ محو کردی مر مرا
Know that (in this world) the heedless are (like) snow-mountains, to the end that the veils of the intelligent may not be consumed.3740
غافلان را کوههای برف دان ** تا نسوزد پردههای عاقلان
Were it not for the reflexion (effect) of snow-weaving (chilling) ignorance, that Mount Qáf would be consumed by the fire of longing.
گر نبودی عکس جهل برفباف ** سوختی از نار شوق آن کوه قاف
The Fire (of Hell) in sooth is (only) an atom of God's wrath; it is (only) a whip to threaten the base.
آتش از قهر خدا خود ذرهایست ** بهر تهدید لیمان درهایست
Notwithstanding such a wrath, which is mighty and surpassing all, observe that the coolness of His clemency is prior to it.
با چنین قهری که زفت و فایق است ** برد لطفش بین که بر وی سابق است
(’Tis) a spiritual priority, unqualified and unconditioned. Have you seen the prior and the posterior without duality (have you seen them to be one)?
سبق بیچون و چگونهی معنوی ** سابق و مسبوق دیدی بیدوی
If you have not seen them (as one), that is because of feeble understanding; for the minds of God's creatures are (but) a single grain of that mine.3745
گر ندیدی آن بود از فهم پست ** که عقول خلق زان کان یک جوست
Lay the blame on yourself, not on the evidences of the (true) Religion: how should the bird of clay reach the sky of the (true) Religion?
عیب بر خود نه نه بر آیات دین ** کی رسد بر چرخ دین مرغ گلین
The bird's lofty soaring-place is (only) the air, since its origin is from lust and sensuality.
مرغ را جولانگه عالی هواست ** زانک نشو او ز شهوت وز هواست