A man lies asleep: his spirit is shining in Heaven, like the sun, while his body is in bed.
مرد خفته روح او چون آفتاب ** در فلک تابان و تن در جامه خواب
His spirit is hidden in the Void, like the fringe (sewn inside a garment): his body is turning to and fro beneath the coverlet.
جان نهان اندر خلا هم‌چون سجاف ** تن تقلب می‌کند زیر لحاف
Since the spirit, being from the command of my Lord, is invisible, every similitude that I may utter (concerning it) is denying (the truth of the description).3310
روح چون من امر ربی مختفیست ** هر مثالی که بگویم منتفیست
Oh, where, I wonder, is thy sugar-shedding ruby (lip) and those sweet replies and mysteries of thine?
ای عجب کو لعل شکربار تو ** وان جوابات خوش و اسرار تو
Oh, where, I wonder, is that candy-chewing cornelian (lip), the key to the lock of our perplexities?
ای عجب کو آن عقیق قندخا ** آن کلید قفل مشکل‌های ما
Oh, where, I wonder, is that breath (keen) as Dhu ’l-faqár, that used to make our understandings distraught?
ای عجب کو آن دم چون ذوالفقار ** آنک کردی عقل‌ها را بی‌قرار
How long, like a ringdove seeking her nest, (shall I cry) ‘where (kú) and where and where and where and where and where?’
چند هم‌چون فاخته کاشانه‌جو ** کو و کو و کو و کو و کو و کو
Where (is he now)? In the place where are the Attributes of (Divine) Mercy, and (the Divine) Power and Transcendence, and (celestial) Intelligence.3315
کو همان‌جا که صفات رحمتست ** قدرتست و نزهتست و فطنتست
Where (is he now)? In the same place where his heart and thought always dwelt, like the lion in his jungle.
کو همان‌جا که دل و اندیشه‌اش ** دایم آن‌جا بد چو شیر و بیشه‌اش
Where (is he now)? In that place whither the hope of (every) man and woman turns in the hour of anguish and sorrow.
کو همان‌جا که امید مرد و زن ** می‌رود در وقت اندوه و حزن
Where (is he now)? In the place to which in time of illness the eye takes wing in hope of (regaining) health—
کو همان‌جا که به وقت علتی ** چشم پرد بر امید صحتی
In that quarter where, in order to avert a calamity, you seek wind for (winnowing) the corn or (speeding) a ship (on its way);
آن طرف که بهر دفع زشتیی ** باد جویی بهر کشت و کشتیی
In that quarter which is signified by the heart when the tongue utters the expression ‘Yá Hú.’3320
آن طرف که دل اشارت می‌کند ** چون زبان یا هو عبارت می‌کند
He is always with God (and) beyond ‘where? where?’ (kú, kú). Would that like weavers I might have said má kú!
او مع‌الله است بی کو کو همی ** کاش جولاهانه ماکو گفتمی
Where is our reason, that it should (be able to) perceive the spiritual West and East (the universal Divine epiphany) flashing forth a hundred kinds of splendour?
عقل ما کو تا ببیند غرب و شرق ** روح‌ها را می‌زند صد گونه برق
His (the Khwája's) ebb and flow was caused by a (great) foaming Sea: (now) the ebb has ceased and (only) the flow remains.
جزر و مدش بد به بحری در زبد ** منتهی شد جزر و باقی ماند مد
I am nine thousand (dinars) in debt and have no resources: there are (only) a hundred dinars, (resulting) from this subscription.
نه هزارم وام و من بی دست‌رس ** هست صد دینار ازین توزیع و بس
God hath withdrawn thee (from this world) and I am left in agony: I am going (hence) in despair, O thou whose dust is sweet!3325
حق کشیدت ماندم در کش‌مکش ** می‌روم نومید ای خاک تو خوش
Keep in thy mind a prayer for thy grief-stricken (mourner), O thou whose face and hands and prayers are auspicious.
همتی می‌دار در پر حسرتت ** ای همایون روی و دست و همتت
I come to the spring and the source of (all) fountains: I find in it instead of water blood.
آمدم بر چشمه و اصل عیون ** یافتم در وی به جای آب خون
The sky is the same sky, (but) ’tis not the same moonlight: the river is the same river, (but) the water is not the same water.
چرخ آن چرخست آن مهتاب نیست ** جوی آن جویست آب آن آب نیست
There are benefactors, (but) where is that one who was found (by all) to be (supremely) good? There are stars, (but) where is that sun?
محسنان هستند کو آن مستطاب ** اختران هستند کو آن آفتاب
Thou hast gone unto God, O venerated man: I too, therefore, will go unto God.”3330
تو شدی سوی خدا ای محترم ** پس به سوی حق روم من نیز هم
God is the assembly-place where the generations (of mankind) are mustered under His banner: all are brought before Us.
مجمع و پای علم ماوی القرون ** هست حق کل لدینا محضرون
The pictures (phenomenal forms), whether unconscious or conscious (of it), are (always) present in the hand of the Painter.
نقش‌ها گر بی‌خبر گر با خبر ** در کف نقاش باشد محتصر