That it may break their egoism and that the self-conceited carnal soul may not work mischief and evil.
تا من و ماهای ایشان بشکند ** نفس خودبین فتنه و شر کم کند
The country is preserved from that by the king's having force and authority to inflict punishment.
شهر از آن آمن شود کان شهریار ** دارد اندر قهر زخم و گیر و دار
Therefore those vain desires are extinguished in (men's) souls: awe of the king prevents that disaster.
پس بمیرد آن هوسها در نفوس ** هیبت شه مانع آید زان نحوس
Again, when he (the king) comes to the private banquet, how should awe or retaliation be (in place) there?3780
باز چون آید به سوی بزم خاص ** کی بود آنجا مهابت یا قصاص
There clemency on clemency is (shown) and mercies overflowing; you will hear no noise but that of the harp and flute.
حلم در حلمست و رحمتها به جوش ** نشنوی از غیر چنگ و ناخروش
In time of war there is the terrible drum and kettle-drum; in the hour of feasting with favourites there is (only) the sound of the harp.
طبل و کوس هول باشد وقت جنگ ** وقت عشرت با خواص آواز چنگ
The Board of Audit is for the vulgar, while the fair ones resembling peris are for the cup-companion.
هست دیوان محاسب عام را ** وان پری رویان حریف جام را
The coat of mail and the helmet are for the battle, while this silken raiment and music are for the bower.
آن زره وآن خود مر چالیشراست ** وین حریر و رود مر تعریشراست
This topic hath no end, O generous one: conclude it, and God best knoweth the right course.3785
این سخن پایان ندارد ای جواد ** ختم کن والله اعلم بالرشاد
The (corporeal) senses in Ahmad (Mohammed), which are mortal, are now laid asleep under the soil of Yathrib (Medina),
اندر احمد آن حسی کو غاربست ** خفته این دم زیر خاک یثربست
But that mighty-natured part of him, which is unconquerable, dwells, without having suffered corruption, within the abode of truth (in Paradise).
وآن عظیم الخلق او کان صفدرست ** بیتغیر مقعد صدق اندرست
The bodily attributes are exposed to corruption; the everlasting spirit is a shining sun,
جای تغییرات اوصاف تنست ** روح باقی آفتابی روشنست
Incorruptible, for it is not of the east; unchangeable, for it is not of the west.
بی ز تغییری که لا شرقیة ** بی ز تبدیلی که لا غربیة
How was the sun (ever) dumbfounded by a mote? How was the candle (ever) made senseless by a moth?3790
آفتاب از ذره کی مدهوش شد ** شمع از پروانه کی بیهوش شد
The body of Ahmad was liable to that (corruption): know that this corruption belongs (only) to the body,
جسم احمد را تعلق بد بدآن ** این تغیر آن تن باشد بدان
Such as sickness and sleep and pain; the spirit is untouched by these affections and wholly detached (from them).
همچو رنجوری و همچون خواب و درد ** جان ازین اوصاف باشد پاک و فرد
Indeed I cannot describe the spirit, and if I describe it, quaking would fall upon this (world of) phenomenal existence and spatiality.
خود نتانم ور بگويم وصف جان ** زلزله افتد در اين كون و مكان
If its fox (the body) was perturbed for a moment, belike the lion-spirit was then asleep.
روبهش گر یک دمی آشفته بود ** شیر جان مانا که آن دم خفته بود
That lion which is immune from sleep was (apparently) asleep: lo, a complaisant terrible lion!3795
خفته بود آن شیر کز خوابست پاک ** اینت شیر نرمسار سهمناک
The lion feigns to be asleep so (well) that those curs think he is quite dead;
خفته سازد شیر خود را آنچنان ** که تمامش مرده دانند این سگان
Else, who in the world would dare to rob a poor man (even) of a grain of turpeth mineral?
ورنه در عالم کرا زهره بدی ** که ربودی از ضعیفی تربدی
The foam (body) of Ahmad was torn (powerfully affected) by that sight (of Gabriel), (but) his sea (spirit) surged up (displayed itself in action) for love of the foam.
کف احمد زان نظر مخدوش گشت ** بحر او از مهر کف پرجوش گشت
The moon (the spirit of Ahmad) is entirely a bounteous light-diffusing hand: if the moon have no hand (with which to bestow light), let it have none!
مه همه کفست معطی نورپاش ** ماه را گر کف نباشد گو مباش
If Ahmad should display that glorious pinion (his spiritual nature), Gabriel would remain dumbfounded unto everlasting.3800
احمد ار بگشاید آن پر جلیل ** تا ابد بیهوش ماند جبرئیل
When Ahmad passed beyond the Lote-tree (on the boundary of Paradise) and his (Gabriel's) place of watch and station and farthest limit,
چون گذشت احمد ز سدره و مرصدش ** وز مقام جبرئیل و از حدش
He said to him (Gabriel), “Hark, fly after me.” He (Gabriel) said, “Go, go; I am not thy companion (any farther).”
گفت او را هین بپر اندر پیم ** گفت رو رو من حریف تو نیم
He answered him, saying, “Come, O destroyer of veils: I have not yet advanced to my zenith.”
باز گفت او را بیا ای پردهسوز ** من باوج خود نرفتستم هنوز
He replied, “O my illustrious friend, if I take one flight beyond this limit, my wings will be consumed.”
گفت بیرون زین حد ای خوشفر من ** گر زنم پری بسوزد پر من
This tale of the elect losing their senses in (contemplation of) the most elect is (naught but) amazement on amazement.3805
حیرت اندر حیرت آمد این قصص ** بیهشی خاصگان اندر اخص
Here all (other) unconsciousnesses are (a mere) play. How long will you keep possession of your soul? for it is (a case of) abandoning your soul.
بیهشیها جمله اینجا بازیست ** چند جان داری که جان پردازیست
O “Gabriel,” though you are noble and revered, you are not the moth nor the candle either.
جبرئیلا گر شریفی و عزیز ** تو نهای پروانه و نه شمع نیز
When the candle calls at the moment of illumination, the soul of the moth does not shrink from burning.
شمع چون دعوت کند وقت فروز ** جان پروانه نپرهیزد ز سوز
Bury this topsy-turvy discourse: make the lion contrariously the prey of the onager.
این حدیث منقلب را گور کن ** شیر را برعکس صید گور کن
Stop up thy word-sweating water-skin, do not open the bag of thy reckless talk.3810
بند کن مشک سخنشاشیت را ** وا مکن انبان قلماشیت را
He whose (intellectual and spiritual) parts have not passed beyond the earth— this is absurd and reckless talk in his view.
آنک بر نگذشت اجزاش از زمین ** پیش او معکوس و قلماشیست این
Do not resist them, O my beloved; deal gently with them, O stranger lodging in their home.
لا تخالفهم حبیبی دارهم ** یا غریبا نازلا فی دارهم
Give (them) what they wish and desire, and satisfy them, O emigrant dwelling in their land.
اعط ما شائوا وراموا وارضهم ** یا ظعینا ساکنا فیارضهم
Till (the hour of) coming to the king and to sweet delight, O man of Rayy be on good terms with the man of Merv.
تا رسیدن در شه و در ناز خوش ** رازیا با مرغزی میساز خویش
O “Moses,” in presence of the Pharaoh of the time you must speak softly with mild words.3815
موسیا در پیش فرعون زمن ** نرم باید گفت قولا لینا
If you put water into boiling oil, you will destroy (both) the trivet and the kettle.
آب اگر در روغن جوشان کنی ** دیگدان و دیگ را ویران کنی
Speak softly, but do not speak aught except the truth: do not offer temptation in your mildness of address.
نرم گو لیکن مگو غیر صواب ** وسوسه مفروش در لین الخطاب
The time of afternoon is come: cut short the discourse, O thou whose expression (of the hidden truth) makes (the people of) the age acquainted (with reality).
وقت عصر آمد سخن کوتاه کن ** ای که عصرت عصر را آگاه کن
Do thou tell the clay-eater that sugar is better: do not show injurious softness, do not give him clay.
گو تو مر گلخواره را که قند به ** نرمی فاسد مکن طینش مده
Speech would be a spiritual garden to the soul, if it were independent of letters and sounds.3820
نطق جان را روضهی جانیستی ** گر ز حرف و صوت مستغنیستی
Oh, there is many a one in whom this donkey's head amidst the sugar plantation has fixed a thorn!
این سر خر در میان قندزار ** ای بسا کس را که بنهادست خار
He, (seeing it) from afar, supposed that it (the sugar-plantation) is just that (donkey's head), nothing more; (so) he was retiring, like a ram vanquished in fight.
ظن ببرد از دور کان آنست و بس ** چون قج مغلوب وا میرفت پس
Know for sure that the (literal) form (of speech) is (like) that donkey's head in the vineyard and highest Paradise of the spiritual reality.
صورت حرف آن سر خر دان یقین ** در رز معنی و فردوس برین
O Ziyá’u ’l-Haqq Husámu’ddín, bring this donkey's head into that melon-field,
ای ضیاء الحق حسام الدین در آر ** این سر خر را در آن بطیخزار
In order that, when the donkey's head has died to (has passed beyond) the skinning-place, that kitchen may bestow on it another growth (a spiritual regeneration).3825
تا سر خر چون بمرد از مسلخه ** نشو دیگر بخشدش آن مطبخه
Hark, the shaping (of the poem) is from me, and the spirit (of it) from thee; nay, (I spoke) in error: truly both this and that are from thee.
هین ز ما صورتگری و جان ز تو ** نه غلط هم این خود و هم آن ز تو