May (even) Jews have no (such) cupidity in (their) old age! Oh, (how) miserable is he on whom God hath bestowed this cupidity!
حرص در پیری جهودان را مباد ** ای شقیی که خداش این حرص داد
A dog's teeth drop out when it grows old: it leaves people (alone) and takes to (eating) dung;
ریخت دندانهای سگ چون پیر شد ** ترک مردم کرد و سرگین‌گیر شد
(But) look at these sexagenarian dogs! Their dog-teeth get sharper at every moment.1230
این سگان شصت ساله را نگر ** هر دمی دندان سگشان تیزتر
The hairs drop from the fur of an old dog; (but) see these old (human) dogs clad in satin!
پیر سگ را ریخت پشم از پوستین ** این سگان پیر اطلس‌پوش بین
See how their passionate desire and greed for women and gold, like the progeny of dogs, is increasing continually!
عشقشان و حرصشان در فرج و زر ** دم به دم چون نسل سگ بین بیشتر
Such a life as this, which is Hell's stock-in-trade, is a shambles for the butchers (executioners) of (the Divine) Wrath;
این چنین عمری که مایه‌ی دوزخ است ** مر قصابان غضب را مسلخ است
(Yet) when people say to him, “May your life be long!” he is delighted and opens his mouth in laughter.
چون بگویندش که عمر تو دراز ** می‌شود دلخوش دهانش از خنده باز
He thinks a curse like this is a benediction: he never uncloses his (inward) eye or raises his head once (from the slumber of heedlessness).1235
این چنین نفرین دعا پندارد او ** چشم نگشاید سری بر نارد او
If he had seen (even as much as) a hair's tip of the future state, he would have said to him (who wished him long life), “May thy life be like this!”
گر بدیدی یک سر موی از معاد ** اوش گفتی این چنین عمر تو باد
Story of the dervish who blessed a man of Gílán, saying, “May God bring thee back in safety to thy home and household!”
داستان آن درویش کی آن گیلانی را دعا کرد کی خدا ترا به سلامت به خان و مان باز رساناد
One day a sturdy beggar, (who was) very fond of bread and carried a basket (about with him), accosted a Khwája of Gílán.
گفت یک روزی به خواجه‌ی گیلیی ** نان پرستی نر گدا زنبیلیی
On receiving some bread from him, he cried, “O Thou (God) whose help is besought, bring him back happy to his home and household!”
چون ستد زو نان بگفت ای مستعان ** خوش به خان و مان خود بازش رسان
He (the Khwája) said, “If the house is the one that I have seen (recently), may God bring thee there, O squalid wretch!”
گفت خان ار آنست که من دیده‌ام ** حق ترا آنجا رساند ای دژم
Worthless folk humiliate every story-teller: if his words are lofty, they make them low;1240
هر محدث را خسان باذل کنند ** حرفش ار عالی بود نازل کنند
For the tale is (lofty or low) in proportion to (the understanding of) the hearer: the tailor cuts the coat according to the Khwája's (customer's) figure.
زانک قدر مستمع آید نبا ** بر قد خواجه برد درزی قبا
[Description of the old woman.]
صفت آن عجوز
Since the audience is not free from such reproach, there is no means of avoiding low and undignified talk.
چونک مجلس بی چنین پیغاره نیست ** از حدیث پست نازل چاره نیست
Hark, redeem this topic (of discourse) from pawn: return to the tale of the old woman.
واستان هین این سخن را از گرو ** سوی افسانه‌ی عجوزه باز رو
When he (any one) has become advanced in years and is not a man (adept) in this Way, bestow the name of “aged crone” upon him.
چون مسن گشت و درین ره نیست مرد ** تو بنه نامش عجوز سال‌خورد
He has neither (any spiritual) capital and basis, nor is he capable of receiving (such a) stock-in-trade.1245
نه مرورا راس مال و پایه‌ای ** نه پذیرای قبول مایه‌ای
He is neither a giver nor a receiver of (spiritual) delight; in him there is neither reality nor (the power of) absorbing reality.
نه دهنده نی پذیرنده‌ی خوشی ** نه درو معنی و نه معنی‌کشی
(He has) neither tongue nor ear nor understanding and insight nor consciousness nor unconsciousness nor reflections;
نه زبان نه گوش نه عقل و بصر ** نه هش و نه بیهشی و نه فکر
Neither humble supplication nor any beauty (with which) to show pride: his (whole interior), coat on coat, is stinking, like an onion.
نه نیاز و نه جمالی بهر ناز ** تو بتویش گنده مانند پیاز
He has not traversed any path, nor (has he) the foot for (any power to traverse) the path: that shameless one has neither (inward) glow nor burning (passion) and sighs.
نه رهی ببریده او نه پای راه ** نه تبش آن قحبه را نه سوز و آه
Story of the dervish to whom, whenever he begged anything from a certain house, he (the owner) used to say, “It is not (to be had here).”
قصه‌ی درویشی کی از آن خانه هرچه می‌خواست می‌گفت نیست
A beggar came to a house and asked for a piece of dry bread or a piece of moist (new) bread.1250
سایلی آمد به سوی خانه‌ای ** خشک نانه خواست یا تر نانه‌ای
The owner of the house said, “Where is bread in this place? Are you crazy? How is this (house) a baker's shop?”
گفت صاحب‌خانه نان اینجا کجاست ** خیره‌ای کی این دکان نانباست
“At least,” he begged, “get me a little bit of fat.” “Why,” said he, “it isn't a butcher's shop.”
He said, “O master of the house, give me a pittance of flour.” “Do you think this is a mill?” he replied.
گفت پاره‌ی آرد ده ای کدخدا ** گفت پنداری که هست این آسیا
“Well then,” said he, “give me some water from the reservoir.” “Why,” he replied, “it isn't a river or a watering-place.”
گفت باری آب ده از مکرعه ** گفت آخر نیست جو یا مشرعه
Whatever he asked for, from bread to bran, he (the householder) was mocking and deriding him.1255
هر چه او درخواست از نان یا سبوس ** چربکی می‌گفت و می‌کردش فسوس
The beggar went in and drew up his skirt: in ea domo voluit consulto cacare. [The beggar went in and drew up his skirt: he wanted to defecate deliberately inside the house.]
آن گدا در رفت و دامن بر کشید ** اندر آن خانه بحسبت خواست رید
He (the householder) cried, “Hey, hey!” “Be quiet, O morose man,” said he, “ut in hoc loco deserto alvum exonerem. [He (the householder) cried, “Hey, hey!” “Be quiet, O morose man,” said he, “so that I may relieve myself inside this desolate place.]
گفت هی هی گفت تن زن ای دژم ** تا درین ویرانه خود فارغ کنم
Since there is no means of living (zístan) here, upon a house like this cacare (rístan) oportet.” [Since there is no means of living (zístan) here, one should defecate (rístan) upon a house such as this.”]
چون درینجا نیست وجه زیستن ** بر چنین خانه بباید ریستن
Since you are not a falcon, so as to (be able to) catch the prey, (a falcon) hand-trained for the King's hunting;
چون نه‌ای بازی که گیری تو شکار ** دست آموز شکار شهریار
Nor a peacock painted with a hundred (beautiful) designs, so that (all) eyes should be illumined by the picture which you present;1260
نیستی طاوس با صد نقش بند ** که به نقشت چشمها روشن کنند
Nor a parrot, so that when sugar is given to you, (all) ears should bend to (listen to) your sweet talk;
هم نه‌ای طوطی که چون قندت دهند ** گوش سوی گفت شیرینت نهند
Nor a nightingale to sing, like a lover, sweetly and plaintively in the meadow or the tulip-garden;
هم نه‌ای بلبل که عاشق‌وار زار ** خوش بنالی در چمن یا لاله‌زار
Nor a hoopoe to bring messages, nor are you like a stork to make your nest on high—
هم نه‌ای هدهد که پیکیها کنی ** نه چو لک‌لک که وطن بالا کنی
In what work are you (employed), and for what (purpose) are you bought? What (sort of) bird are you, and with what (digestive) are you eaten?
در چه کاری تو و بهر چت خرند ** تو چه مرغی و ترا با چه خورند
Mount beyond this ship of hagglers to the shop of Bounty where God is the purchaser.1265
زین دکان با مکاسان برتر آ ** تا دکان فضل که الله اشتری
(There) that Gracious One hath purchased the piece of goods that no people would look at on account of its shabbiness.
کاله‌ای که هیچ خلقش ننگرید ** از خلاقت آن کریم آن را خرید
With Him no base coin is rejected, for His object in buying is not (to make a) profit.
هیچ قلبی پیش او مردود نیست ** زانک قصدش از خریدن سود نیست
Return to the tale of the old woman.
رجوع به داستان آن کمپیر
Since that (crone who was faded as) autumn desired to be wed, that lustful one plucked out the hair of her eyebrows. [Since that (crone who was faded as) autumn desired to be wed, that one (who was) desirous of a (drawn back) foreskin plucked out the hair of her eyebrows.]
چون عروسی خواست رفتن آن خریف ** موی ابرو پاک کرد آن مستخیف
The old woman took the mirror (and held it) before her face, that she might beautify her cheeks and face and mouth.
پیش رو آیینه بگرفت آن عجوز ** تا بیاراید رخ و رخسار و پوز
She rubbed (them) gleefully (with) rouge several times, (but) the creases of her face did not become more concealed,1270
چند گلگونه بمالید از بطر ** سفره‌ی رویش نشد پوشیده‌تر
(So) that filthy (hag) was cutting out portions of the Holy Book and sticking them on her face,
عشرهای مصحف از جا می‌برید ** می‌بچفسانید بر رو آن پلید
In order that the creases of her face might be hidden, and that she might become the bezel in the ring of fair (women).
تا که سفره‌ی روی او پنهان شود ** تا نگین حلقه‌ی خوبان شود
She was putting (these) bits of the Book all over her face, (but) they always dropped off when she put on her chádar (veil);
عشرها بر روی هر جا می‌نهاد ** چونک بر می‌بست چادر می‌فتاد
Then she would stick them on again with spittle on all sides of her face,
باز او آن عشرها را با خدو ** می‌بچفسانید بر اطراف رو
And once more that bezel (paragon of beauty) would arrange her veil, and (again) the bits of the Book would fall from her face to the ground.1275
باز چادر راست کردی آن تکین ** عشرها افتادی از رو بر زمین
Since they always dropped off though she tried many an artifice, (at last) she exclaimed, “A hundred curses on Iblís!”
چون بسی می‌کرد فن و آن می‌فتاد ** گفت صد لعنت بر آن ابلیس باد
Immediately Iblís took (visible) shape and said (to her), “O luckless dried-up harlot,
شد مصور آن زمان ابلیس زود ** گفت ای قحبه‌ی قدید بی‌ورود