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پشت خر دکان و مال و مکسب است ** در قلبت مایهی صد قالب است
- (On) the back of the ass is shop and wealth and gain; the pearl of your heart is the stock (which provides wealth) for a hundred bodies.
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خر برهنه بر نشین ای بو الفضول ** خر برهنه نه که راکب شد رسول
- Mount the ass bare-backed, O busybody: did not the Prophet ride the ass bare-backed?
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النبی قد رکب معروریا ** و النبی قیل سافر ماشیا
- The Prophet rode (his beast) bare-backed; and the Prophet, it is said, journeyed on foot.
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شد خر نفس تو بر میخیش بند ** چند بگریزد ز کار و بار چند
- The ass, your fleshly soul, has gone off; tie it to a peg. How long will it run away from work and burden, how long?
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بار صبر و شکر او را بردنی است ** خواه در صد سال و خواهی سی و بیست 730
- It must bear the burden of patience and thanksgiving, whether for a hundred years or for thirty or twenty.
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هیچ وازر وزر غیری بر نداشت ** هیچ کس ندرود تا چیزی نکاشت
- None that is laden supported another's load; none reaped until he sowed something.
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طمع خام است آن مخور خام ای پسر ** خام خوردن علت آرد در بشر
- ’Tis a raw (absurd) hope; eat not what is raw, O son: eating raw brings illness to men.
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کان فلانی یافت گنجی ناگهان ** من همان خواهم نه کار و نه دکان
- (Do not say to yourself), “So-and-so suddenly found a treasure; I would like the same: neither work nor shop (for me)!”
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کار بخت است آن و آن هم نادر است ** کسب باید کرد تا تن قادر است
- That (discovery of treasure) is Fortune's doing (a piece of luck), and moreover it is rare: one must earn a living so long as the body is able.
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کسب کردن گنج را مانع کی است ** پا مکش از کار آن خود در پی است 735
- How does earning a livelihood prevent the (discovery of) treasure? Do not retire from work: that (treasure), indeed, is (following) behind (the work).
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تا نگردی تو گرفتار اگر ** که اگر این کردمی یا آن دگر
- See that you are not made captive by “if,” saying, “If I had done this or the other (thing),”
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کز اگر گفتن رسول با وفاق ** منع کرد و گفت آن هست از نفاق
- For the sincere Prophet forbade (people) to say “if,” and said, “That is from hypocrisy”;
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کان منافق در اگر گفتن بمرد ** وز اگر گفتن بجز حسرت نبرد
- For the hypocrite died in saying “if,” and from saying “if” he won nothing but remorse.
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مثل
- Parable.
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آن غریبی خانه میجست از شتاب ** دوستی بردش سوی خانهی خراب
- A certain stranger was hastily seeking a house: a friend took him to a house in ruins.
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گفت او این را اگر سقفی بدی ** پهلوی من مر ترا مسکن شدی 740
- He said (to the stranger), “If this (house) had a roof, it would be a home for you beside me.
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هم عیال تو بیاسودی اگر ** در میانه داشتی حجرهی دگر
- Your family too would be comfortable, if it had another room in it.”
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گفت آری پهلوی یاران خوش است ** لیک ای جان در اگر نتوان نشست
- “Yes,” said he, “it is nice (to be) beside friends, but my dear soul, one cannot lodge in ‘if’.”
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این همه عالم طلبکار خوشند ** وز خوش تزویر اندر آتشند
- All the world are seekers of happiness, and on account of a false happiness they are in the fire.
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طالب زر گشته جمله پیر و خام ** لیک قلب از زر نداند چشم عام
- Old and young have become gold-seekers, but the common eye does not distinguish alloy from gold.
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پرتوی بر قلب زد خالص ببین ** بیمحک زر را مکن از ظن گزین 745
- The pure (gold) shot a beam on the alloy: see that you choose not the gold on the ground of (mere) opinion, without a touchstone.
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گر محک داری گزین کن ور نه رو ** نزد دانا خویشتن را کن گرو
- If you have a touchstone, choose; otherwise, go, devote yourself to him that knows (the difference).
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یا محک باید میان جان خویش ** ور ندانی ره مرو تنها تو پیش
- Either you must have a touchstone within your own soul, or if you know not the Way, do not go forward alone.
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بانگ غولان هست بانگ آشنا ** آشنایی که کشد سوی فنا
- The cry of the ghouls is the cry of an acquaintance—an acquaintance who would lure you to perdition.
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بانگ میدارد که هان ای کاروان ** سوی من آیید نک راه و نشان
- She (the ghoul) keeps on crying, “Hark, O caravan people! Come towards me, here is the track and the landmarks.”
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نام هر یک میبرد غول ای فلان ** تا کند آن خواجه را از آفلان 750
- The ghoul mentions the name of each, saying “O so-and-so,” in order that she may make that personage one of those who sink.
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چون رسد آن جا ببیند گرگ و شیر ** عمر ضایع راه دور و روز دیر
- When he reaches the spot, he sees wolves and lions, his life lost, the road far off, and the day late.
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چون بود آن بانگ غول آخر بگو ** مال خواهم جاه خواهم و آبرو
- Prithee say, what is the ghoul's cry like? (It is) “I desire riches, I desire position and renown.”
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از درون خویش این آوازها ** منع کن تا کشف گردد رازها
- Prevent these voices from (entering) your heart, so that (spiritual) mysteries may be revealed.
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ذکر حق کن بانگ غولان را بسوز ** چشم نرگس را از این کرکس بدوز
- Repeat (in prayer) the name of God, drown the cry of the ghouls, close your narcissus eye to this vulture.
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صبح کاذب را ز صادق واشناس ** رنگ می را باز دان از رنگ کاس 755
- Know the difference between the false dawn and the true, distinguish the colour of the wine from the colour of the cup,
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تا بود کز دیدهگان هفت رنگ ** دیدهای پیدا کند صبر و درنگ
- That, perchance, from the eyes which see the seven colours patience and waiting may produce a (spiritual) eye,
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رنگها بینی بجز این رنگها ** گوهران بینی به جای سنگها
- (With which) you may behold colours other than these, and may behold pearls instead of stones.
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گوهر چه بلکه دریایی شوی ** آفتاب چرخ پیمایی شوی
- What pearl? Nay, you will become an ocean, you will become a sun traversing the sky.
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کار کن در کارگه باشد نهان ** تو برو در کارگه بینش عیان
- The Worker is hidden in the workshop: go you and in the workshop see Him plain.
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کار چون بر کار کن پرده تنید ** خارج آن کار نتوانیش دید 760
- Inasmuch as the work has woven a veil over the Worker, you cannot see Him outside of that work.
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کارگه چون جای باش عامل است ** آن که بیرون است از وی غافل است
- Since the workshop is the dwelling-place of the Worker, he that is outside is unaware of Him.
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پس در آ در کارگه یعنی عدم ** تا ببینی صنع و صانع را بهم
- Come, then, into the workshop, that is to say, non-existence, that you may see the work and the Worker together.
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کارگه چون جای روشن دیدهگی است ** پس برون کارگه پوشیدگی است
- As the workshop is the place of clairvoyance, then outside of the workshop there is (only) blindfold ness.
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رو به هستی داشت فرعون عنود ** لاجرم از کارگاهش کور بود
- The rebellious Pharaoh kept his face towards existence, consequently he was blind to His (God's) workshop.
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لاجرم میخواست تبدیل قدر ** تا قضا را باز گرداند ز در 765
- Consequently he was wishing to alter the (Divine) predestination, that he might turn back the (Divine) destiny from his door.
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خود قضا بر سبلت آن حیلهمند ** زیر لب میکرد هر دم ریشخند
- Truly the (Divine) destiny every moment was laughing derisively under its lip at the moustache (arrogance) of that cunning plotter.
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صد هزاران طفل کشت او بیگناه ** تا بگردد حکم و تقدیر اله
- He killed hundreds of thousands of innocent babes, in order that the ordainment and predestination of God might be averted.
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تا که موسای نبی ناید برون ** کرد در گردن هزاران ظلم و خون
- In order that the prophet Moses might not come forth, he laid on his neck (made himself responsible for) thousands of iniquities and murders.
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آن همه خون کرد و موسی زاده شد ** و ز برای قهر او آماده شد
- He wrought all that bloodshed, and (yet) Moses was born and was made ready for his chastisement.
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گر بدیدی کارگاه لا یزال ** دست و پایش خشک گشتی ز احتیال 770
- Had he seen the workshop of the Everlasting (God), he would have ceased to move hand or foot in plotting.
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اندرون خانهاش موسی معاف ** و ز برون میکشت طفلان را گزاف
- Moses (lay) safe within his (Pharaoh's) house, while outside he was killing the infants in vain,
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همچو صاحب نفس کاو تن پرورد ** بر دگر کس ظن حقدی میبرد
- Even as the sensual man who pampers his body and suspects some one else of a bitter hatred (against him),
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کاین عدو و آن حسود و دشمن است ** خود حسود و دشمن او آن تن است
- Saying, “This one is a foe, and that one is envious and an enemy,” (though) in truth his envier and enemy is that body (of his).
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او چو موسی و تنش فرعون او ** او به بیرون میدود که کو عدو
- He is like Moses, and his body is his Pharaoh: he keeps running (to and fro) outside, asking, “Where is my enemy?”
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نفسش اندر خانهی تن نازنین ** بر دگر کس دست میخاید به کین 775
- His fleshly soul (is) luxuriating in the house, which is his body, (while) he gnaws his hand in rancour against some one else.
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ملامت کردن مردم شخصی را که مادرش را کشت به تهمت
- How men blamed a person who killed his mother because he suspected her (of adultery).