عشق در هنگام استیلا و خشم ** زشت گرداند لطیفان را به چشم
Love, in the hour of domination and anger, makes the pleasing ones to become hideous to the eye.
هر زمرد را نماید گندنا ** غیرت عشق این بود معنی لا
Love’s jealousy causes every emerald to appear as a leek: this is the (inner) meaning of Lá.
لااله الا هو اینست ای پناه ** که نماید مه ترا دیگ سیاه
O (thou who givest) protection , (the meaning of) “There is no god but He” is that the moon should seem to thee a black kettle.
هیچ مال و هیچ مخزن هیچ رخت ** می دریغش نامد الا جز که تخت
No wealth, no treasury, and no goods or gear were being grudged by her (Bilqis) except her throne.
پس سلیمان از دلش آگاه شد ** کز دل او تا دل او راه شد870
Then Solomon became aware of (this feeling in) her heart, for the way was open from his heart to hers.
آن کسی که بانگ موران بشنود ** هم فغان سر دوران بشنود
He that hears the voice of ants will also hear the cry from the inmost soul of them that are afar.
آنک گوید راز قالت نملة ** هم بداند راز این طاق کهن
He that declares the mystery of “an ant said” will also know the mystery of this ancient dome.
دید از دورش که آن تسلیم کیش ** تلخش آمد فرقت آن تخت خویش
From afar he (Solomon) discerned that to her (Bilqís) who was following the path of resignation ‘twas bitter to part with her throne.
گر بگویم آن سبب گردد دراز ** که چرا بودش به تخت آن عشق و ساز
If I explain the reason why she had that love and complaisance to her throne, it (the discourse) will become (too) long.
گرچه این کلک قلم خود بی‌حسیست ** نیست جنس کاتب او را مونسیست875
Although this reed-pen is in fact an insensible thing and is not homogeneous with the writer, (yet) it is a familiar friend to him.
هم‌چنین هر آلت پیشه‌وری ** هست بی‌جان مونس جانوری
Likewise, every tool of a craftsman is, (though) lifeless, the familiar friend of the spirit of Man.
این سبب را من معین گفتمی ** گر نبودی چشم فهمت را نمی
This reason I would have explained precisely, if there were not some moisture (dimness) in the eye of your understanding.
از بزرگی تخت کز حد می‌فزود ** نقل کردن تخت را امکان نبود
There was no possibility of transporting the throne (from Sabá) because of its hugeness which exceeded (all) bounds.
خرده کاری بود و تفریقش خطر ** هم‌چو اوصال بدن با همدگر
It was filigree work, and there was danger in taking it to pieces, (since its parts were joined) like the limbs of the body with one another.
پس سلیمان گفت گر چه فی‌الاخیر ** سرد خواهد شد برو تاج و سریر880
Therefore Solomon said, “Although in the end the diadem and throne will become chilling (repulsive) to her”—
چون ز وحدت جان برون آرد سری ** جسم را با فر او نبود فری
(For) when the spirit puts forth its head (manifests itself) from the Unity (to which it has attained), in comparison with its splendour the body hath no splendour (at all);
چون برآید گوهر از قعر بحار ** بنگری اندر کف و خاشاک خوار
When the pearl comes up from the depths of the seas, you will look with contempt on the foam and sticks and straws.
سر بر آرد آفتاب با شرر ** دم عقرب را کی سازد مستقر
(When) the flaming sun lifts up its head, who will make Scorpio’s tail his resting—place’?—
لیک خود با این همه بر نقد حال ** جست باید تخت او را انتقال
“Yet, notwithstanding all this, in the actual case (the means of) transporting her throne (hither) must be sought,
تا نگردد خسته هنگام لقا ** کودکانه حاجتش گردد روا885
In order that she may not feel hurt at the time of meeting (with me), and that her wish may be fulfilled, like (the wishes of) children.
هست بر ما سهل و او را بس عزیز ** تا بود بر خوان حوران دیو نیز
It (the throne) is lightly esteemed by me, but it is exceedingly dear to her: (let it be brought hither), that the devil too may be (present) at the table (banquet) of the houris.
عبرت جانش شود آن تخت ناز ** هم‌چو دلق و چارقی پیش ایاز
That throne of delight will become a lesson to her soul, like the (coarse) frock and (rustic) shoon in the presence of Ayáz
تا بداند در چه بود آن مبتلا ** از کجاها در رسید او تا کجا
So that the afflicted one (Bilqís) may know in what (plight) she was (formerly) and from what (low) places to what a (high) place she has arrived.”
خاک را و نطفه را و مضغه را ** پیش چشم ما همی‌دارد خدا
God is ever keeping the clay and semen and piece of flesh (embryo) before our eyes,
کز کجا آوردمت ای بدنیت ** که از آن آید همی خفریقیت890
(As though) to say, “O man of evil intention, whence did I bring thee, that thou hast (such) a disgust at it?
تو بر آن عاشق بدی در دور آن ** منکر این فضل بودی آن زمان
Thou wert in love with that (state) in the period thereof: at that time thou wert denying this (present) grace (which I have bestowed on thee).”
این کرم چون دفع آن انکار تست ** که میان خاک می‌کردی نخست
Inasmuch as this (present) bounty is the (means of) rebutting the denial which thou didst make in the beginning (when thou wert) amidst the clay,
حجت انکار شد انشار تو ** از دوا بدتر شد این بیمار تو
Thy having been brought to life is the argument against denial (of the Resurrection); (but thou art still denying it): this sick (soul) of thine is made worse by the medicine.
خاک را تصویر این کار از کجا ** نطفه را خصمی و انکار از کجا
Whence should clay have the (power of) imagining this thing? Whence should semen conceive opposition and denial?
چون در آن دم بی‌دل و بی‌سر بدی ** فکرت و انکار را منکر بدی895
(Nevertheless) since at that moment thou wert devoid of heart and spirit, thou wert (implicitly) denying (the faculty of) reflection and (the possibility of) denial.
از جمادی چونک انکارت برست ** هم ازین انکار حشرت شد درست
Since thy (former) denial arose from the state of lifelessness (irrationality), so by this (present) denial (the certainty of) thy resurrection is established.
پس مثال تو چو آن حلقه‌زنیست ** کز درونش خواجه گوید خواجه نیست
Hence the (appropriate) parable of thee is (a case) like (that of) the person who knocks at the door (of a house), and the master replies to him from within, saying, “The master is not (here).”
حلقه‌زن زین نیست دریابد که هست ** پس ز حلقه بر ندارد هیچ دست
From this “is not” the person knocking perceives that he is (there), and consequently does not take his hand off the door- ring at all.
پس هم انکارت مبین می‌کند ** کز جماد او حشر صد فن می‌کند
Therefore the very fact of thy denial is making it clear that He (God) brings about manifold resurrections from lifeless matter.
چند صنعت رفت ای انکار تا ** آب و گل انکار زاد از هل اتی900
How much (Divine) artifice passed (was expended), O thou denial (incarnate), till the water and clay (of thy original nature) produced denial from (the state signified by the words) Hal atá!
آب وگل می‌گفت خود انکار نیست ** بانگ می‌زد بی‌خبر که اخبار نیست
The water and clay was really saying, “There is no denial” (was really making an affirmation): it was crying, ‘There is no affirmation” (was uttering a denial), unaware (of the fact that its denial was an implicit affirmation).
من بگویم شرح این از صد طریق ** لیک خاطر لغزد از گفت دقیق
I would expound this (topic) in a hundred ways, but the (reader’s) mind would stumble at the subtle discourse.
چاره کردن سلیمان علیه‌السلام در احضار تخت بلقیس از سبا
How Solomon, on whom be peace, devised a plan for bringing the throne of Bilqís from Sabá.
گفت عفریتی که تختش را به فن ** حاضر آرم تا تو زین مجلس شدن
A certain ‘Ifrít (demon) said, “By (my) art I will bring her throne here before thy departure from this council.”
گفت آصف من به اسم اعظمش ** حاضر آرم پیش تو در یک دمش
Ásaf said, “By means of the greatest Name (of God) I will bring it here into thy presence in a single moment.”
گرچه عفریت اوستاد سحر بود ** لیک آن از نفخ آصف رو نمود905
Though the ‘Ifrít was a master of magic, yet that (miracle) was displayed by the breath (spiritual power) of Ásaf.
حاضر آمد تخت بلقیس آن زمان ** لیک ز آصف نه از فن عفریتیان
The throne of Bilqís came into the presence instantly, but through Ásaf, not through the art of them that have the (malignant) nature of ‘Ifríts.
گفت حمدالله برین و صد چنین ** که بدیدستم ز رب العالمین
He (Solomon) said, “Praise to God for this and a hundred such (favours) which I have seen (received) from the Lord of created beings.”
پس نظر کرد آن سلیمان سوی تخت ** گفت آری گول‌گیری ای درخت
Then Solomon turned his eyes towards the throne. “Yes,” he said, “thou art one that catches fools, O tree!”
پیش چوب و پیش سنگ نقش کند ** ای بسا گولان که سرها می‌نهند
Oh, many are the fools that lay down their heads before wood and graven stone.
ساجد و مسجود از جان بی‌خبر ** دیده از جان جنبشی واندک اثر910
(Both) the worshipper and the object of worship are ignorant of the spirit; (but) he (the worshipper) has felt a movement and a slight effect of the spirit.
دیده در وقتی که شد حیران و دنگ ** که سخن گفت و اشارت کرد سنگ
He has felt, at the moment when he became rapt (in devotion) and bewildered, that the stone spoke and made signs.
نرد خدمت چون بنا موضع بباخت ** شیر سنگین را شقی شیری شناخت
When the wretched man bestowed his devotion in the wrong place and deemed the lion of stone to be a (real) lion,
از کرم شیر حقیقی کرد جود ** استخوانی سوی سگ انداخت زود
The real Lion, from kindness, showed munificence and at once threw a bone to the dog,
گفت گرچه نیست آن سگ بر قوام ** لیک ما را استخوان لطفیست عام
And said, “Although the dog is not in (due) order, yet as regards me the bone is a bounty of which all partake.”
قصه‌ی یاری خواستن حلیمه از بتان چون عقیب فطام مصطفی را علیه‌السلام گم کرد و لرزیدن و سجده‌ی بتان و گواهی دادن ایشان بر عظمت کار مصطفی صلی‌الله علیه و سلم
Story of Halíma's asking help of the idols when she lost Mustafá (Mohammed)—on whom be peace—after he was weaned, and how the idols trembled and prostrated themselves and bore witness to the grandeur of Mohammed's estate—may God bless and save him!
قصه‌ی راز حلیمه گویمت ** تا زداید داستان او غمت915
I will tell you the story of Halíma's mystic experience, that her tale may clear away your trouble.