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3
541-550

  • ای بسا حمال گشته پشت‌ریش ** از برای دلبر مه‌روی خویش
  • Oh, (there is) many a porter, his back torn with wounds for the sake of the moon-faced one to whom he has lost his heart.

  • کرده آهنگر جمال خود سیاه ** تا که شب آید ببوسد روی ماه
  • The ironsmith has blackened his beauty, that (when) night comes he may kissthe face of (a beloved like) the moon.

  • خواجه تا شب بر دکانی چار میخ ** زانک سروی در دلش کردست بیخ
  • The merchant (sits), racked, on a bench (in his shop) till nightfall, because (some one tall and slender as) a cypress has taken root in his heart.

  • تاجری دریا و خشکی می‌رود ** آن بمهر خانه‌شینی می‌دود
  • A trader is faring over sea and land: he runs (makes those swift journeys) for live of one who sits at home.

  • هر که را با مرده سودایی بود ** بر امید زنده‌سیمایی بود 545
  • Whoever has a passion for that which is dead, ‘tis in hope of (gaining) one who has the features of the living.

  • آن دروگر روی آورده به چوب ** بر امید خدمت مه‌روی خوب
  • The carpenter turns his face (attention) to wood, in the hope of rendering service to a fair one whose face is like the moon.

  • بر امید زنده‌ای کن اجتهاد ** کو نگردد بعد روزی دو جماد
  • Do thou exert thyself in hope of the Living One who does not become lifeless after a day or two!

  • مونسی مگزین خسی را از خسی ** عاریت باشد درو آن مونسی
  • Do not from meanness choose a mean person as thy friend: that friendship in him is borrowed (unessential).

  • انس تو با مادر و بابا کجاست ** گر بجز حق مونسانت را وفاست
  • If thy friends other than God possess constancy (permanence), where is thy friendship with the mother and father?

  • انس تو با دایه و لالا چه شد ** گر کسی شاید بغیر حق عضد 550
  • If any one but God is worthy to be relied upon, what has become of thy friendship with thy nurse and tutor?