ور سخن‌کش یابم آن دم زن به مزد ** می‌گریزد نکته‌ها از دل چو دزد

ور سخن‌کش یابم آن دم زن به مزد ** می‌گریزد نکته‌ها از دل چو دزد 1320

And if at that time I find (there) the scoundrel who kills the discourse, the deep sayings will flee, like a thief, from my heart.

جنبش هر کس به سوی جاذبست ** جذب صدق نه چو جذب کاذبست

The movement of every one is towards the Drawer: the true drawing is not like the false drawing.

می‌روی گه گمره و گه در رشد ** رشته پیدا نه و آنکت می‌کشد

Sometimes thou art going astray, sometimes aright: the cord is not visible, nor He who is drawing thee.

اشتر کوری مهار تو رهین ** تو کشش می‌بین مهارت را مبین

Thou art a blind camel, and thy toggle is in (His) keeping: do thou regard the act of drawing, do not regard thy toggle.

گر شدی محسوس جذاب و مهار ** پس نماندی این جهان دارالغرار

If the Drawer and the toggle became perceptible (to the senses), then this world would no longer remain the abode of heedlessness (delusion).

گبر دیدی کو پی سگ می‌رود ** سخره‌ی دیو ستنبه می‌شود 1325

(If) the infidel saw that he was going after a cur and was being made subject to the hideous Devil,

در پی او کی شدی مانند حیز ** پی خود را واکشیدی گبر نیز

How should he go at its heels like a catamite (base sycophant)? The infidel too would step back.

گاو گر واقف ز قصابان بدی ** کی پی ایشان بدان دکان شدی

If the cow were acquainted with the butchers, how should she follow them to that (butcher's) shop,

یا بخوردی از کف ایشان سبوس ** یا بدادی شیرشان از چاپلوس

Or eat bran from their hands, or give them milk on account of (their) coaxing (her)?

ور بخوردی کی علف هضمش شدی ** گر ز مقصود علف واقف بدی

And if she ate, how should the fodder be digested by her, if she were aware of the purpose of the fodder?