هر کسی رویی به سویی برده‌اند ** وان عزیزان رو به بی‌سو کرده‌اند 350
Every one (else) has turned his face in some direction, but those holy ones have turned towards that which transcends direction.
هر کبوتر می‌پرد در مذهبی ** وین کبوتر جانب بی‌جانبی
Every (other) pigeon flies on some course, but this pigeon (flies) in a region where no region is.
ما نه مرغان هوا نه خانگی ** دانه‌ی ما دانه‌ی بی‌دانگی
We are neither birds of the air nor domestic (fowls): our grain is the grain of grainlessness.
زان فراخ آمد چنین روزی ما ** که دریدن شد قبادوزی ما
Our daily bread is so ample because our stitching the coat (of bodily existence) has become the tearing (of it to pieces).
سبب آنک فرجی را نام فرجی نهادند از اول
The reason why the name farají was first given to the garment known by that name.
صوفیی بدرید جبه در حرج ** پیشش آمد بعد به دریدن فرج
A certain Súfí tore his jubba in distress: after (its) tearing, relief (faraj) came to him.
کرد نام آن دریده فرجی ** این لقب شد فاش زان مرد نجی 355
He bestowed the name farají on that torn (garment): from that man (who was) a confidant (of God) this title became well known.
این لقب شد فاش و صافش شیخ برد ** ماند اندر طبع خلقان حرف درد
This title became well known; but (only) the (Súfí) Shaykh apprehended the pure (essence) thereof: in the nature of the (common) people the (mere) letter, (which is) the dregs, remained.
هم‌چنین هر نام صافی داشتست ** اسم را چون دردیی بگذاشتست
Similarly, (with) every name, he (the Shaykh) has kept the pure (essence) and left the (mere) name behind, like dregs.
هر که گل خوارست دردی را گرفت ** رفت صوفی سوی صافی ناشکفت
Whosoever is a clay-eater (corporealist) took the dregs, (but) the Súfí went impatiently towards the pure (essence).
گفت لابد درد را صافی بود ** زین دلالت دل به صفوت می‌رود
He said (to himself), “Of necessity the dregs have a pure (essence): by means of this indication the heart advances to purity.”