نقش آب است ار وفا جویی از آن ** باز گردی دستهای خود گزان1100
It is written on water: if you seek constancy from it, you will return biting your hands (in disappointment).
باد در مردم هوا و آرزوست ** چون هوا بگذاشتی پیغام هوست
The wind in men is vanity and desire; when you have abandoned vanity, (then) is (the time for) the message from Him (God).
خوش بود پیغامهای کردگار ** کاو ز سر تا پای باشد پایدار
Sweet are the messages of the Maker, for it (that message) from head to foot (from first to last) is enduring.
خطبهی شاهان بگردد و آن کیا ** جز کیا و خطبههای انبیا
The khutbas for kings change (and pass), and their empire; (all will pass) except the empire and khutbas (insignia) of the prophets,
ز آن که بوش پادشاهان از هواست ** بار نامهی انبیا از کبریاست
Because the pomp of kings is from (earthly) vanity, (while) the glorious privilege of the prophets is from (Divine) Majesty.
از درمها نام شاهان بر کنند ** نام احمد تا ابد بر میزنند1105
The names of kings are removed from the dirhems, (but) the name of Ahmad (Mohammed) is stamped on them for ever.
نام احمد نام جمله انبیاست ** چون که صد آمد نود هم پیش ماست
The name of Ahmad is the name of all the prophets: when the hundred comes (is counted), ninety is with us as well.
هم در بیان مکر خرگوش
Further setting forth the stratagem of the hare.
در شدن خرگوش بس تاخیر کرد ** مکر را با خویشتن تقریر کرد
The hare made much delay in going; he rehearsed to himself the tricks (which he was about to play).
در ره آمد بعد تاخیر دراز ** تا به گوش شیر گوید یک دو راز
After long delay he came on (took) the road, that he might say one or two secrets into the ear of the lion.
تا چه عالمهاست در سودای عقل ** تا چه با پهناست این دریای عقل
Think what words are in the core (inmost consciousness) of Reason.
صورت ما اندر این بحر عذاب ** میدود چون کاسهها بر روی آب1110
In this sweet ocean our forms are moving fast, like cups on the surface of water:
تا نشد پر بر سر دریا چو طشت ** چون که پر شد طشت در وی غرق گشت
Until they become full, (they float) like bowls on the top of the sea, (but) when the bowl is filled it sinks therein.
عقل پنهان است و ظاهر عالمی ** صورت ما موج یا از وی نمی
Reason is hidden, and (only) a world (of phenomena) is visible: our forms are the waves or a spray of it (of that hidden ocean).
هر چه صورت می وسیلت سازدش ** ز آن وسیلت بحر دور اندازدش
Whatsoever (thing) the form makes (uses as) a means of approach to It (to Reason), by that (same) means the ocean (of Reason) casts it (the form) far away.
تا نبیند دل دهندهی راز را ** تا نبیند تیر دور انداز را
So long as the heart does not see the Giver of (its) conscience, so long as the arrow does not see the far-shooting Archer,
اسب خود را یاوه داند وز ستیز ** میدواند اسب خود در راه تیز1115
He (who is thus blind) thinks his horse is lost, though (all the while) he is obstinately speeding his horse on the road.
اسب خود را یاوه داند آن جواد ** و اسب خود او را کشان کرده چو باد
That fine fellow thinks his horse is lost, while the horse in truth is sweeping him onward like the wind.
در فغان و جستجو آن خیرهسر ** هر طرف پرسان و جویان دربدر
In lamentation and inquiry that scatterbrain (runs) from door to door in every direction, asking and searching:
کان که دزدید اسب ما را کو و کیست ** این که زیر ران تست ای خواجه چیست
“Where and who is he that stole my horse?” What is this (animal) under thy thigh, O master?
آری این اسب است لیک این اسب کو ** با خود آ ای شهسوار اسب جو
“Yes, this is the horse, but where is this horse?” O dexterous rider in search of thy horse, come to thyself!
جان ز پیدایی و نزدیکی است گم ** چون شکم پر آب و لب خشکی چو خم1120
The Spirit is lost (to view) because of its being so manifest and near: how, having thy belly full of water, art thou dry-lipped like a jar?
کی ببینی سرخ و سبز و فور را ** تا نبینی پیش از این سه نور را
How wilt thou see red and green and russet, unless before (seeing) these three (colours) thou see the light?
لیک چون در رنگ گم شد هوش تو ** شد ز نور آن رنگها رو پوش تو
But since thy mind was lost (absorbed) in (perception of) the colour, those colours became to thee a veil from (debarred thee from contemplating) the light.
چون که شب آن رنگها مستور بود ** پس بدیدی دید رنگ از نور بود
Inasmuch as at night those colours were hidden, thou sawest that thy vision of the colour was (derived) from the light.
نیست دید رنگ بینور برون ** همچنین رنگ خیال اندرون
There is no vision of colour without the external light: even so it is with the colour of inward phantasy.