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جور و احسان رنج و شادی حادث است ** حادثان میرند و حقشان وارث است
- Wrong-doing and well-doing, grief and joy, are things that come into existence; those who come into existence die; God is their heir.
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صبح شد ای صبح را پشت و پناه ** عذر مخدومی حسام الدین بخواه
- ’Tis dawn. O Thou who art the Dawn of the dawn and its Refuge, ask pardon (for me) of my Lord Husámu’ddín!
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عذر خواه عقل کل و جان تویی ** جان جان و تابش مرجان تویی
- Thou art He who asketh pardon of the Universal Mind and Soul, Thou art the Soul of the soul and the Splendour of the coral.
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تافت نور صبح و ما از نور تو ** در صبوحی با می منصور تو
- The light of dawn has shone forth, and from Thy light we are engaged in drinking the morning-drink with the wine of Thy Mansúr.
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دادهی تو چون چنین دارد مرا ** باده که بود کاو طرب آرد مرا 1810
- Inasmuch as Thy gift keeps me thus (enravished), who (what) is (other) wine that it should bring me rapture?
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باده در جوشش گدای جوش ماست ** چرخ در گردش گدای هوش ماست
- Wine in ferment is a beggar suing for our ferment; Heaven in revolution is a beggar suing for our consciousness.
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باده از ما مست شد نی ما از او ** قالب از ما هست شد نی ما از او
- Wine became intoxicated with us, not we with it; the body came into being from us, not we from it.
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ما چو زنبوریم و قالبها چو موم ** خانه خانه کرده قالب را چو موم
- We are as bees, and bodies are as wax (honeycomb): we have made the body, cell by cell, like wax.
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رجوع به حکایت خواجهی تاجر
- Reverting to the tale of the merchant who went to trade (in India).
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بس دراز است این حدیث خواجه گو ** تا چه شد احوال آن مرد نکو
- This (discourse) is very long. Tell the story of the merchant, that we may see what happened to that good man.
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خواجه اندر آتش و درد و حنین ** صد پراکنده همیگفت این چنین 1815
- The merchant in fire (burning grief) and anguish and yearning was uttering a hundred distracted phrases like this,
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گه تناقض گاه ناز و گه نیاز ** گاه سودای حقیقت گه مجاز
- Now self-contradiction, now disdain, now supplication, now passion for reality, now metaphor (unreality).
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مرد غرقه گشته جانی میکند ** دست را در هر گیاهی میزند
- The drowning man suffers an agony of soul and clutches at every straw.
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تا کدامش دست گیرد در خطر ** دست و پایی میزند از بیم سر
- For fear of (losing) his head (life), he flings about (both) hand and foot to see whether any one will take his hand (help him) in peril.
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دوست دارد یار این آشفتگی ** کوشش بیهوده به از خفتگی
- The Friend loves this agitation: it is better to struggle vainly than to lie still.
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آن که او شاه است او بیکار نیست ** ناله از وی طرفه کاو بیمار نیست 1820
- He who is the King (of all) is not idle, (though) complaint from Him would be a marvel, for He is not ill.
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بهر این فرمود رحمان ای پسر ** کل يوم هو فی شأن ای پسر
- For this reason said the Merciful (God), O son, “Every day He is (busy) in an affair,” O son.
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اندر این ره میتراش و میخراش ** تا دم آخر دمی فارغ مباش
- In this Way be thou ever scraping and scratching (exerting thyself to the utmost): until thy last breath do not be unoccupied for a moment,
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تا دم آخر دمی آخر بود ** که عنایت با تو صاحب سر بود
- So that thy last breath may be a last breath in which the (Divine) favour is thy bosom-friend.
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هر چه میکوشند اگر مرد و زن است ** گوش و چشم شاه جان بر روزن است
- Whatsoever they strive (to do), whether man or woman, the ear and eye of the soul's King are at the window.
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برون انداختن مرد تاجر طوطی را از قفس و پریدن طوطی مرده
- How the merchant cast the parrot out of the cage and how the dead parrot flew away.
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بعد از آنش از قفس بیرون فگند ** طوطیک پرید تا شاخ بلند 1825
- After that, he cast her out of the cage. The little parrot flew to a lofty bough.
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طوطی مرده چنان پرواز کرد ** کافتاب از چرخ ترکی تاز کرد
- The dead parrot made such a (swift) flight as when the orient sun rushed onward.
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خواجه حیران گشت اندر کار مرغ ** بیخبر ناگه بدید اسرار مرغ
- The merchant was amazed at the action of the bird: without understanding he suddenly beheld the mysteries of the bird.
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روی بالا کرد و گفت ای عندلیب ** از بیان حال خودمان ده نصیب
- He lifted up his face and said, “O nightingale, give us profit (instruction) by explaining thy case.
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او چه کرد آن جا که تو آموختی ** ساختی مکری و ما را سوختی
- What did she (the parrot) do there (in India), that thou didst learn, devise a trick, and burn us (with grief)”?
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گفت طوطی کاو به فعلم پند داد ** که رها کن لطف آواز و وداد 1830
- The parrot said, “She by her act counselled me—‘Abandon thy charm of voice and thy affection (for thy master),