هم تو تانی کرد یا نعم المعین ** دیدهی معدومبین را هست بین 825
O best Helper, only Thou canst make the eye that regards the non-existent to regard that which is (really) existent.
دیدهای کو از عدم آمد پدید ** ذات هستی را همه معدوم دید
The eye that was produced from non-existence regarded the Essence of (real) Being as wholly non-existent;
این جهان منتظم محشر شود ** گر دو دیده مبدل و انور شود
(But), if (thy) two eyes are transformed and illumined, this well-ordered world becomes the scene of the Last Judgement.
زان نماید این حقایق ناتمام ** که برین خامان بود فهمش حرام
These realities are shown forth imperfectly (here) because the apprehension of them is forbidden to these raw (ignorant) ones.
نعمت جنات خوش بر دوزخمی ** شد محرم گرچه حق آمد سخی
Although God is munificent, the enjoyment of the delightful gardens ofParadise is forbidden to him who is destined for Hell.
در دهانش تلخ آید شهد خلد ** چون نبود از وافیان در عهد خلد 830
The honey of Paradise becomes bitter in his mouth, since he was not (destined to be) one of them that faithfully keep the covenant of everlasting life.
مر شما را نیز در سوداگری ** دست کی جنبد چو نبود مشتری
Ye (worldly folk) also (who are engaged) in commerce—how should your hands move (to sell anything) when there is no buyer?
کی نظاره اهل بخریدن بود ** آن نظاره گول گردیدن بود
How should (idle) looking-on be capable of buying? The fool's looking-on is (not for buying, but merely for) loitering.
پرس پرسان کین به چند و آن به چند ** از پی تعبیر وقت و ریشخند
(He strolls about) continually asking, “How much is this?” and “How much is that?” for the sake of pastime and mockery.
از ملولی کاله میخواهد ز تو ** نیست آن کس مشتری و کالهجو
(’Tis only) from boredom (that) he asks you (to show him) your goods: that person is not a buyer and customer.
کاله را صد بار دید و باز داد ** جامه کی پیمود او پیمود باد 835
He inspects the article a hundred times and hands it back (to you): when did he (ever) measure a piece of cloth? He measured wind (and nothing else).
کو قدوم و کر و فر مشتری ** کو مزاح گنگلی سرسری
What a distance between the approach and bargaining of a purchaser and the pleasantries of a silly joker?
چونک در ملکش نباشد حبهای ** جز پی گنگل چه جوید جبهای
Since there is not a mite in his possession, how should he seek (to buy) a coat except in jest?
در تجارت نیستش سرمایهای ** پس چه شخص زشت او چه سایهای
He has no capital for trading: what, then, is the difference between his ill-favoured person and a shadow?
مایه در بازار این دنیا زرست ** مایه آنجا عشق و دو چشم ترست
The capital (required) for the market of this world is gold; there (in the next world) the capital is love and two eyes wet (with tears).
هر که او بیمایهی بازار رفت ** عمر رفت و بازگشت او خام تفت 840
Whoever went to market without any capital, his life passed and he speedily returned in disappointment.
هی کجا بودی برادر هیچ جا ** هی چه پختی بهر خوردن هیچ با
“Oh, where hast thou been, brother?” “Nowhere.” “Oh, what hast thou cooked to eat?” “No (good) soup.”
مشتری شو تا بجنبد دست من ** لعل زاید معدن آبست من
Become a buyer, that my hand may move (to sell to thee), and that my pregnant mine may bring forth the ruby.
مشتری گرچه که سست و باردست ** دعوت دین کن که دعوت واردست
Though the buyer is slack and lukewarm, (yet) call (him) to the (true) religion, for the (command to) call hath come down (from God).
باز پران کن حمام روح گیر ** در ره دعوت طریق نوح گیر
Let the falcon fly and catch the spiritual dove: in calling (to God) take the way of Noah.
خدمتی میکن برای کردگار ** با قبول و رد خلقانت چه کار 845
Perform an act of service for the Creator's sake: what hast thou to do with being accepted or rejected by the people?
داستان آن شخص کی بر در سرایی نیمشب سحوری میزد همسایه او را گفت کی آخر نیمشبست سحر نیست و دیگر آنک درین سرا کسی نیست بهر کی میزنی و جواب گفتن مطرب او را
Story of the person who was giving the drum-call for the sahúr at the gate of a certain palace at midnight. A neighbour said to him, “Why, it is midnight, it is not (yet) dawn; and besides, there is no one in this palace: for whose sake are you drumming?”—and the minstrel's reply to him.
آن یکی میزد سحوری بر دری ** درگهی بود و رواق مهتری
A certain man was drumming at a certain gate to announce the sahúr: ’twas a court-house and the pavilion of a grandee.
نیمشب میزد سحوری را به جد ** گفت او را قایلی کای مستمد
(Whilst) he was beating his drum vigorously at midnight, some one said to him, “O thou who art seeking (the means of) support,
اولا وقت سحر زن این سحور ** نیمشب نبود گه این شر و شور
Firstly, give this call to the sahúr at daybreak: midnight is not the time for (making) this disturbance;
دیگر آنک فهم کن ای بوالهوس ** که درین خانه درون خود هست کس
And secondly, observe, O man of vain desire, whether in fact there is any one inside this house at midnight.