The tone that had (once) been the envy of Zuhra (Venus) was now like the bray of an old donkey.
آن نوای رشک زهره آمده ** همچو آواز خر پیری شده
Truly, what sweet one is there that did not become unsweet, or what roof that did not become a carpet?—
خود کدامین خوش که او ناخوش نشد ** یا کدامین سقف کان مفرش نشد
Except the voices of holy men in their breasts, from the repercussion of whose breath is the blast of the trumpet (of Resurrection).
غیر آواز عزیزان در صدور ** که بود از عکس دمشان نفخ صور
(Theirs is) the heart by which (all) hearts are made drunken, (theirs is) the nonexistence whereby these existences of ours are made existent.2080
اندرونی کاندرونها مست از اوست ** نیستی کاین هستهامان هست از اوست
He (the saint) is the amber (magnet) of (all) thought and of every voice; he is the (inward) delight of revelation and inspiration and (Divine) mystery.
کهربای فکر و هر آواز او ** لذت الهام و وحی و راز او
When the minstrel grew older and feeble, through not earning (anything) he became indebted for a single loaf of bread.
چون که مطرب پیرتر گشت و ضعیف ** شد ز بی‌‌کسبی رهین یک رغیف
He said, “Thou hast given me long life and respite: O God, Thou hast bestowed (many) favours on a vile wretch.
گفت عمر و مهلتم دادی بسی ** لطفها کردی خدایا با خسی
For seventy years I have been committing sin, (yet) not for one day hast Thou withheld Thy bounty from me.
معصیت ورزیده‌‌ام هفتاد سال ** باز نگرفتی ز من روزی نوال
I (can) earn nothing: to-day I am Thy guest, I will play the harp for Thee, I am Thine.”2085
نیست کسب امروز مهمان توام ** چنگ بهر تو زنم آن توام
He took up his harp and went in search of God to the graveyard of Medina, crying “Alas!”
چنگ را برداشت و شد الله جو ** سوی گورستان یثرب آه گو