The medium is a pot or a pan—as (the medium) for the foot in walking (is) a sock (shoe)—
واسطه دیگی بود یا تابهای ** همچو پا را در روش پا تابهای
Or a space between, so that the air becomes burning hot and brings (the fire) to the water.
یا مکانی در میان تا آن هوا ** میشود سوزان و میآرد بما
The dervish, then, is he that has no intermediary: the flames have (direct) connexion with his being.835
پس فقیر آن است کاو بیواسطه ست ** شعلهها را با وجودش رابطه ست
Therefore he is the heart of the world, because by means of this heart the body attains to (its proper) art (function).
پس دل عالم وی است ایرا که تن ** میرسد از واسطهی این دل به فن
(If) the heart be not there, how can the body talk and speak? (If) the heart seek not, how can the body seek and search?
دل نباشد، تن چه داند گفتوگو ** دل نجوید، تن چه داند جستجو
Therefore the theatre of the (Divine) rays is that iron; therefore the theatre of God is the heart, not the body.
پس نظرگاه شعاع آن آهن است ** پس نظرگاه خدا دل نی تن است
Again, these partial (individual) hearts are as the body in relation to the heart of the man of heart (the perfect saint), which is the original source.
باز این دلهای جزوی چون تن است ** با دل صاحب دلی کاو معدن است
This argument wants much illustration and exposition, but I fear lest the opinion of the vulgar should stumble (and fall into error),840
بس مثال و شرح خواهد این کلام ** لیک ترسم تا نلغزد وهم عام
(And) lest my goodness should be turned (by them) to badness;—even this that I have spoken was (from) naught but selflessness.
تا نگردد نیکویی ما بدی ** اینکه گفتم هم نبد جز بیخودی
The crooked shoe is better for the crooked foot; the beggar's power reaches only as far as the door.
پای کج را کفش کج بهتر بود ** مر گدا را دستگه بر در بود
How the King made trial of the two slaves whom he had recently purchased.