If you keep your eye fixed on its contents, you are a (spiritual) king; but if you regard its vessel, you are misguided.
گر به مظروفش نظر داری شهی ** ور به ظرفش بنگری تو گم‌رهی
Know that words resemble this body and that their inward meaning resembles the soul.
لفظ را ماننده‌ی این جسم دان ** معنیش را در درون مانند جان
The bodily eye is always seeing the body; the spiritual eye sees the artful (elusive) soul.
دیده‌ی تن دایما تن‌بین بود ** دیده‌ی جان جان پر فن بین بود
Therefore the man of appearance is misled by the form of the expressions used in the Mathnawí, while they guide the man of reality (to the Truth).655
پس ز نقش لفظهای مثنوی ** صورتی ضالست و هادی معنوی
He (God) hath said in the Qur’án, “This Qur’án with all its heart leads some aright and others astray.”
در نبی فرمود کین قرآن ز دل ** هادی بعضی و بعضی را مضل
God, God! When the gnostic speaks of “wine,” how in the gnostic's eyes should the (materially) non-existent be a (material) thing?
الله الله چونک عارف گفت می ** پیش عارف کی بود معدوم شی
Since your understanding is (only of) the Devil's wine, how should you have any conception of the wine of the Merciful (God)?
فهم تو چون باده‌ی شیطان بود ** کی ترا وهم می رحمان بود
These twain—the minstrel and the wine—are partners: this one quickly leads to that, and that one to this.
این دو انبازند مطرب با شراب ** این بدان و آن بدین آرد شتاب
They that are full of crop-sickness feed on the song of the minstrel: the minstrels bring them to the tavern.660
پر خماران از دم مطرب چرند ** مطربانشان سوی میخانه برند
That one (the minstrel) is the beginning of the (lover's) course, and this (tavern) is the end thereof: the witless (lover) is like a ball in (the sway of) his polo-bat.
آن سر میدان و این پایان اوست ** دل شده چون گوی در چوگان اوست