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6
2909-2958

  • O King whose course is concealed (from view), the time is come for Thee graciously to make a movement (sign) with Thy beard in clemency.
  • وقت آن شد ای شه مکتوم‌سیر  ** کز کرم ریشی بجنبانی به خیر 

  • Each one (of us) has displayed his specialty: all those talents have (only) increased (our) ill-fortune. 2910
  • هر یکی خاصیت خود را نمود  ** آن هنرها جمله بدبختی فزود 

  • Those talents have bound our necks, by those high attainments we are (thrown) headlong and (laid) low.
  • آن هنرها گردن ما را ببست  ** زان مناصب سرنگوساریم و پست 

  • (Our) talent is a cord of palm-fibre on our neck: there is no help (to be gained) from those accomplishments on the day of death.”
  • آن هنر فی جیدنا حبل مسد  ** روز مردن نیست زان فنها مدد 

  • (None of them avails) save only the specialty of that man endowed with goodly perceptions whose eye was recognising the Sultan in the (darkness of) night.
  • جز همان خاصیت آن خوش‌حواس  ** که به شب بد چشم او سلطان‌شناس 

  • All those talents were (as) ghouls (waylaying travellers) on the road, except (that of) the eye which was aware of the King.
  • آن هنرها جمله غول راه بود  ** غیر چشمی کو ز شه آگاه بود 

  • On the day of audience the King was ashamed (to refuse the petition) of him whose gaze was (fixed) on the King's face at night. 2915
  • شاه را شرم از وی آمد روز بار  ** که به شب بر روی شه بودش نظار 

  • And the dog that is acquainted with the loving King—even him you must entitle “the Dog of the Cave.”
  • وان سگ آگاه از شاه وداد  ** خود سگ کهفش لقب باید نهاد 

  • Excellent, too, is the specialty (residing) in the ear; for he (who possesses it) by (hearing) the bark of a dog is made aware of the Lion.
  • خاصیت در گوش هم نیکو بود  ** کو به بانگ سگ ز شیر آگه شود 

  • When the dog is awake during the night, like a watchman, he is not ignorant of the nightly vigil of the (spiritual) kings.
  • سگ چو بیدارست شب چون پاسبان  ** بی‌خبر نبود ز شبخیز شهان 

  • Hark, you must not disdain them that have a bad name: you must set your mind on their inward parts (spiritual qualities).
  • هین ز بدنامان نباید ننگ داشت  ** هوش بر اسرارشان باید گماشت 

  • Whoever has once got a bad name must not seek (to win) a (good) name and (thereby) become half-baked. 2920
  • هر که او یک‌بار خود بدنام شد  ** خود نباید نام جست و خام شد 

  • Oh, many a (piece of) gold is made (like) black polished iron in order that it may be saved from pillage and calamity.
  • ای بسا زر که سیه‌تابش کنند  ** تا شود آمن ز تاراج و گزند 

  • Story of the sea-cow: how it brings up the royal pearl from the depths of the ocean and at night lays it on the seashore and feeds in the resplendence and lustre thereof; and how the trader comes forth from his hiding-place and, when the cow has gone some distance away from the pearl, covers the pearl with loam and black clay and runs off and climbs a tree; and so on to the end of the story and exposition.
  • قصه‌ی آنک گاو بحری گوهر کاویان از قعر دریا بر آورد شب بر ساحل دریا نهد در درخش و تاب آن می‌چرد بازرگان از کمین برون آید چون گاو از گوهر دورتر رفته باشد بازرگان به لجم و گل تیره گوهر را بپوشاند و بر درخت گریزد الی آخر القصه و التقریب 

  • The water-cow fetches a pearl out of the sea, lays it on the meadow, and grazes around it.
  • گاو آبی گوهر از بحر آورد  ** بنهد اندر مرج و گردش می‌چرد 

  • In the radiance of the light of the pearl the water-cow feeds hurriedly on hyacinths and lilies.
  • در شعاع نور گوهر گاو آب  ** می‌چرد از سنبل و سوسن شتاب 

  • The excrement of the water-cow is ambergris because its food is narcissus and nenuphar.
  • زان فکنده‌ی گاو آبی عنبرست  ** که غذااش نرگس و نیلوفرست 

  • Any one whose food is the Light of (Divine) Majesty, how should not lawful magic (wondrous eloquence) spring from his lips? 2925
  • هرکه باشد قوت او نور جلال  ** چون نزاید از لبش سحر حلال 

  • Any one who, like the bee, has been given (Divine) inspiration as a prize, how should not his house be full of honey?
  • هرکه چون زنبور وحیستش نفل  ** چون نباشد خانه‌ی او پر عسل 

  • The cow grazes in the light of the pearl; (then) suddenly it moves some distance away from the pearl.
  • می‌چرد در نور گوهر آن بقر  ** ناگهان گردد ز گوهر دورتر 

  • A trader (appears and) puts black loam on the pearl, so that the meadow and verdant ground becomes dark.
  • تاجری بر در نهد لجم سیاه  ** تا شود تاریک مرج و سبزه‌گاه 

  • Then the trader takes refuge on a tree, while the cow seeks the man with its hard horn.
  • پس گریزد مرد تاجر بر درخت  ** گاوجویان مرد را با شاخ سخت 

  • Twenty times the cow runs about the meadow, in order to impale its enemy on its horn. 2930
  • بیست بار آن گاو تازد گرد مرج  ** تا کند آن خصم را در شاخ درج 

  • When the fierce cow despairs of (finding) him, it comes to the place where the pearl was laid
  • چون ازو نومید گردد گاو نر  ** آید آنجا که نهاده بد گهر 

  • And sees the loam (spread) over the royal pearl; then it runs away from the clay, like Iblís.
  • لجم بیند فوق در شاه‌وار  ** پس ز طین بگریزد او ابلیس‌وار 

  • (Since) Iblís is blind and deaf to the gist (spiritual content) of the clay (of Adam), how should the cow know that the pearl is in the clay?
  • کان بلیس از متن طین کور و کرست  ** گاو کی داند که در گل گوهرست 

  • (The Divine command) fall ye cast the spirit into abasement: this menstruation excluded it from prayer (communion with God).
  • اهبطوا افکند جان را در حضیض  ** از نمازش کرد محروم این محیض 

  • O comrades, beware of this resting-place and of that (idle) talk: verily, sensuality is the menstruation of men. 2935
  • ای رفیقان زین مقیل و زان مقال  ** اتقوا ان الهوی حیض الرجال 

  • (The Divine command) fall ye cast the spirit into the body, that the pearl of Aden might be hidden in clay.
  • اهبطوا افکند جان را در بدن  ** تا به گل پنهان بود در عدن 

  • The trader knows it, but the cow does not: the spiritual know, but not any clay-digger.
  • تاجرش داند ولیکن گاو نی  ** اهل دل دانند و هر گل‌کاو نی 

  • Every piece of clay in the heart of which there is a pearl—its pearl can tell the secrets of another (piece of) clay;
  • هر گلی که اندر دل او گوهریست  ** گوهرش غماز طین دیگریست 

  • While the clay that has not been illumined by God's sprinkling (of light) cannot bear the companionship of the pieces of clay that are filled with pearls.
  • وان گلی کز رش حق نوری نیافت  ** صحبت گلهای پر در بر نتافت 

  • This topic is endless, (and meanwhile) our mouse on the bank of the river is (waiting) on our ear (attention). 2940
  • این سخن پایان ندارد موش ما  ** هست بر لبهای جو بر گوش ما 

  • Return to the Story of the mouse seeking the frog on the river-bank and pulling the string in order that the frog in the water might become aware of his seeking him.
  • رجوع کردن به قصه‌ی طلب کردن آن موش آن چغز را لب‌لب جو و کشیدن سر رشته تا چغز را در آب خبر شود از طلب او 

  • That (creature) moulded of love is pulling the string in hope of being united with the righteous frog.
  • آن سرشته‌ی عشق رشته می‌کشد  ** بر امید وصل چغز با رشد 

  • He is perpetually harping on the heart-string, saying, “I have got the end of the string in my paw.
  • می‌تند بر رشته‌ی دل دم به دم  ** که سر رشته به دست آورده‌ام 

  • My heart and soul have become as (frail as) a thread in contemplation, ever since the end of the string (the prospect of success) showed itself to me.”
  • هم‌چو تاری شد دل و جان در شهود  ** تا سر رشته به من رویی نمود 

  • But suddenly the raven of separation came to chase the mouse and carried it off from that spot.
  • خود غراب البین آمد ناگهان  ** بر شکار موش و بردش زان مکان 

  • When the mouse was taken up into the air by the raven, the frog too was dragged from the bottom of the water. 2945
  • چون بر آمد بر هوا موش از غراب  ** منسحب شد چغز نیز از قعر آب 

  • The mouse (was) in the raven's beak, and the frog likewise (was) suspended in the air, (with) its foot (entangled) in the string.
  • موش در منقار زاغ و چغز هم  ** در هوا آویخته پا در رتم 

  • The people were saying, “How could the raven make the water-frog its prey by craft and cunning?
  • خلق می‌گفتند زاغ از مکر و کید  ** چغز آبی را چگونه کرد صید 

  • How could it go into the water, and how could it carry him off? When was the water-frog (ever) the raven's prey?”
  • چون شد اندر آب و چونش در ربود  ** چغز آبی کی شکار زاغ بود 

  • “This,” said the frog, “is the fit punishment for that one who, like persons devoid of honour, consorts with a rascal.”
  • چغز گفتا این سزای آن کسی  ** کو چو بی‌آبان شود جفت خسی 

  • Oh, alas, alas for the sorrow caused by a base friend! O sirs, seek ye a good companion. 2950
  • ای فغان از یار ناجنس ای فغان  ** هم‌نشین نیک جویید ای مهان 

  • Reason complains bitterly of the vicious carnal soul: (they are as discordant) as an ugly nose on a beautiful face.
  • عقل را افغان ز نفس پر عیوب  ** هم‌چو بینی بدی بر روی خوب 

  • Reason was saying to him (the frog), “’Tis certain that congeniality is spiritual in origin and is not (derived) from water and clay (the outward form).”
  • عقل می‌گفتش که جنسیت یقین  ** از ره معنیست نی از آب و طین 

  • Take heed, do not become a worshipper of form and do not say this. Do not seek (to discover) the secret of congeniality in the (outward) form.
  • هین مشو صورت‌پرست و این مگو  ** سر جنسیت به صورت در مجو 

  • Form resembles the mineral and the stone: an inorganic thing has no knowledge of congeniality.
  • صورت آمد چون جماد و چون حجر  ** نیست جامد را ز جنسیت خبر 

  • The spirit is like an ant, and the body like a grain of wheat which it (the ant) carries to and fro continually. 2955
  • جان چو مور و تن چو دانه‌ی گندمی  ** می‌کشاند سو به سویش هر دمی 

  • The ant knows that the grains of which it has taken charge will be changed and become homogeneous with it.
  • مور داند کان حبوب مرتهن  ** مستحیل و جنس من خواهد شدن 

  • One ant picks up (a grain of) barley on the road, another ant picks up a grain of wheat and runs away.
  • آن یکی موری گرفت از راه جو  ** مور دیگر گندمی بگرفت و دو 

  • The barley does not hurry to the wheat, but the ant comes to the ant; yes (it does).
  • جو سوی گندم نمی‌تازد ولی  ** مور سوی مور می‌آید بلی